February 22, 2025

Italian singer and musician Jenny Sorrenti quotes the Third Ear Band in an interview on Rolling Stones Italian edition.


Jenny Sorrenti, photo by Francesco Desmaele


Titled "Voice is consciousness", in the last issue of Rolling Stone Italian edition, is a long and interesting interview by Fabio Zuffanti with Italian singer and musician JENNY SORRENTI where she quotes the Third Ear Band as one of her first source of inspiration.

"First woman in Italy to do prog at a certain level with Saint Just, the only female voice of Neapolitan Power and yes, also Alan's sister. She was part of the RCA tour, but the discography was too narrow for her. An interview with a cult musician who came to electronic music with the project Néos Saint Just."

You can read the interview here: https://www.rollingstone.it/musica/interviste-musica/jenny-sorrenti-la-voce-e-consapevolezza/967362/



Jenny Sorrenti in this Archive:


no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

February 14, 2025

Dave Tomlin' son sent to The Guardian an obituary about his great dad.

Tom Hennessey, one of the three children of Dave Tomlin, sent to the Guardian a obituary about his great dad. You can read the original Web page at this link: https://www.theguardian.com/theguardian/2025/feb/13/dave-tomlin-obituary


Dave Tomlin obituary

"My dad, Dave Tomlin, who has died aged 90, was a musician, writer and figure of the British counterculture underground from the 1960s.

In 1976, he was one of those who took over the unoccupied former Cambodian embassy in London and established a community of artists, musicians, poets, artisans and radical metaphysicians who called themselves the Guild of Transcultural Studies.

Over the years, the guild became established as an opulent venue for musical and cultural events, hosting refugees from as far afield as Chile and China and holding concerts by musicians from Morocco and India, with attenders often having no idea that their elegant surroundings were a squat. A long-running court case finally forced the guild to close its doors after 15 years in 1991, ending Dave’s dream of handing the building back to a new Cambodian government.

Born in Plaistow, east London (then in Essex), to Stan Tomlin, a packing-case maker, and Louisa (nee Goodsell), Dave escaped a future in factory work by joining the King’s Guard, where he learned the bugle to accompany the changing of the guard at Buckingham Palace. This was the beginning of a life of music. He became a jazz musician in the 1950s, playing clarinet and saxophone in Bob Wallis’s Storyville Jazz Band and touring with Sister Rosetta Tharpe.

In the late 1960s he joined the hippy movement, travelling nomadically around the countryside in a horse and cart, playing in experimental folk groups, including the Third Ear Band, and performing at the UFO Club in London, where he would go on at 4am: “Only when the dancers are completely exhausted will they be in a fit state to hear what we have for them."

He became part of the London Free School in Notting Hill, a centre of radical adult education, where he taught free-form jazz. While there, Dave led annual musical processions down Portobello Road that would develop with other events into the Notting Hill carnival.

Other adventures included becoming stranded, penniless, on the island of Fernando Po (now Bioko) in Equatorial Guinea and gaining passage back by pretending, unconvincingly, to be an experienced cook and deckhand. He supported his frugal lifestyle with gardening and working as a handyman.

In his later years, Dave spent his time writing about his experiences (Tales From the Embassy was published in 2017), practising Chinese brush painting and learning to recite the alphabet backwards.

He is survived by three children from different relationships – Lee, Maya and me – and by his brother, Tony."

Very kindly, Tom wrote me: "I could not hope to do justice to him in the limited space available but I think it gives a good flavour of who he was.
I am very grateful to you for your friendship with Dave, it was greatly appreciated by him. He mentioned you to me a number of times. Also for your tributes to him on your blog (which was helpful to me in writing this obituary!).

We are hoping to have an event in London to remember him and we will let you know in case you are able to make the journey.

Best wishes,

Tom"

no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

February 10, 2025

A memoir book by Don Falcone (Spirits Burning) quoting Third Ear Band and Ursula Smith.


"Don Falcone presents a world where anything can happen and often does…collecting albums and then recording with some of the musicians on those albums…reading paperbacks and then collaborating with one of the authors (Michael Moorcock). Resurrecting a club band into a collective—Spirits Burning—with almost 300 classic and independent rock musicians across 20 albums.

A world where mistakes are made, lessons are learned, and dreams are brought to life. With over 125 of the Spirits Burning crew ready to provide their thoughts."

(from the press release of publisher Starway Press)


Announcing the book, Don wrote me: "I wanted to let you know that I wrote a book (musical memoir). It has input from Pete Pavli, mentions Ghettorage and Third Ear Band, and has entries for all the Spirits Burning collaborators (including Ursula, Simon House, and Pete). I do mention your part in helping me contact Ursula."

Order Information:



· All other online orders are for the book only. Check to see if your local country Amazon.com is carrying the book and if they offer free shipping. The CD can be purchased separately from Stairway Press using the order form at the back of the book.

· Kindle format available from Amazon.


Don Falcone in 2021.


Don Falcone and Spirits Burning in this Archive:





no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

February 05, 2025

A tribute to Paul Buckmaster on Italian magazine "Musica Jazz" web site.

 
A tribute to our late Paul Buckmaster by Gennaro Fucile is on the web site of Italian magazine "Music Jazz". The journalist, analysing his wonderful solo album "The Chitinous Ensemble", also writes about the close collaboration with the Third Ear Band through the years.

The full article is available HERE.

no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

January 30, 2025

"Druid One" album review by Italian musician and writer Alessandro Monti.


Here's a brilliant review on "Druid One - Live at Essen Pop and Blues Festival 1970" by my friend Italian musician and music writer ALESSANDRO MONTI (https://unfolkam.wordpress.com/a very big fan and expert of Our Holy Band.




"Where do we come from? 
All we know is that we are born on this planet, we live, we walk, we play, we work and then we leave leaving traces of our passage without knowing what will happen to those traces, and without paying the slightest attention to who will follow or collect them.

I have often asked myself these questions while listening to magnificent recordings like this one, in which half the members of the group are now elsewhere, entities of pure spirit beyond this material world without knowing that their improvised music was so intense as to take root in the planet and be rediscovered at unthinkable moments... or maybe they knew? 

Curious to think that the other half of the group continues to make music: a classical cellist and a violin teacher disinterested in his past: that's life. But to many of us this music still communicates a unique and unrepeatable emotion, a ritual that is renewed with every listen as if it did not belong to any era... perhaps because it belongs to ALL eras? 

The answer blows in the wind with this music taken from a concert in 1970, recorded impeccably by German radio at the time of the second album based on the four elements, it is no coincidence that two of them appear: water at the beginning and at the end, after an alchemical sonic journey, the dance of the earth. 

There was a time when we literally had to work miracles to find live recordings of our favorite bands, then the doors of the cosmic archives opened and we listened to all sorts of things. Today the release of a new TEB album seems almost normal, in reality all this is miraculous, especially if we think about the time spent on the dusty shelves of some archives. The music speaks for itself and no comment (let alone "critical") could add something sensible... just a few technical aspects to note: 

side A of this album starts in fade in, certainly after the performance has already begun, while side B ends with a fade out while the group seems to be able to continue endlessly, this makes me think (like Luca wrote) that perhaps it is not a complete tape, but the unrepeatable magic fully justifies its publication with the rare quote from Abelard & Heloise to seal the set: a surprise too good to be true."

Recording: ️ ️ ️ [5/5]
Vinyl dynamics: ️ [3/5]
Performance: ️ ️ [5/5]
Magic: ️ ️[5/5]

 
no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

January 15, 2025

Third Ear Band music on Italian national radio.

Just yesterday night, on the third channel of Italian national radio RAI (the programme was called "6 Gradi", six grades) Third Ear Band's "Mosaic" was played.

You can listen to the programme here:

https://www.raiplaysound.it/audio/2025/01/Sei-gradi-del-14012025-d96e76c3-7cc7-4888-a679-fcec93ead389.html

 no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

January 01, 2025

A book by Steve Pank available in Amazon.

A book written by STEVE PANK titled "Hole in the Moon" is available on Amazon in paperback and Kindle Edition formats (go here). Presenting it, Steve wrote: "The United States is planning to land astronauts on the moon again in the next five years. What will happen when they do? Is it possible that they will find something unexpected?
In this book, Hole in the Moon, they do. They find that extraterrestrials are already living there. So were this to happen, how should this be coped with this in real life? This story gives one possible answer.

Anyone who is interested in whether space people exist, and if they do, how the human race could best cope with this; should read this book."

Steve was the former manager and driver man of the Third Ear Band in 1969-1970; a Glen Sweeney, Carolyn Looker, and Dave Tomlin's close friend; an expert of alternative sciences, and a eyewitness to the Sixties underground scene in London.

Steve Pank in this archive (selection):

https://ghettoraga.blogspot.com/2011/01/new-letter-from-steve-pank-original.html

https://ghettoraga.blogspot.com/2011/04/new-letter-from-steve-pank.html

https://ghettoraga.blogspot.com/2010/06/steve-pank-about-origins-of-third-ear.html

https://ghettoraga.blogspot.com/2019/02/steve-pank-about-alchemy-days.html

https://ghettoraga.blogspot.com/2022/12/steve-pank-tells-glen-sweeneys.html

https://ghettoraga.blogspot.com/2017/09/steve-panks-electric-universe-theory.html

https://ghettoraga.blogspot.com/2018/05/ursula-smith-concert-at-bourgh-house.html

https://ghettoraga.blogspot.com/2024/08/remembering-glen-sweeney-19-years-ago.html

 no©2025 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

December 28, 2024

Glen Sweeney's percussion on "Air"...

January, 30th 1971: on the last issue of "Melody Maker" a fan asked a question about what percussion Glen played on  the second album...

Sweeney in a rare photo taken during the sessions for the second album.
 no©2024 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first

December 20, 2024

Peter Jenner told the story of Kevin Ayers' Joy of the Toy sessions.

On the glorious "ZIG ZAG" #9 (January 2nd, 1970) PETER JENNER wrote about the story of KEVIN AYERS' "Joy of the Toy" recording sessions, revealing for the first time the involvement of some musicians (not mentioned on the inner sleeve for copyright reasons) as our PAUL MINNS and PAUL BUCKMASTER. Interesting the fact Jenner said Buckmaster had left the Thirds just before... (December 1969?)


 no©2024 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first

December 13, 2024

Mick Taylor reviewed TEB's Alchemy on Melody Maker.

 
On the monthly "The History Of Rock" ("Uncut" publication) of September 22, 2016 devoted to 1969, retrieving an old issue of MELODY MAKER (July-September 1969) documents a review by Mick Taylor, guitarist for the Stones who had recently replaced Brian Jones, in which he comments on "Alchemy." The column was the well-known “Blind Date” in which musicians were subjected to 'blind' listening...

Needless to say, even in that 1969 the ears of most rock musicians were not ready for the music of the Third Ear Band. What about today?


 no©2024 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

December 09, 2024

The croaking self-styled great rock magazines and the right to be informed.

Read below about an old issue of ‘UNCUT’ # 181 from June 2012, one of the self-styled ‘best rock magazines’ around.

A long-time reader from Somerset writes to the letters column run for years by ALLAN JONES and asks that the magazine also cover obscure bands, starting with the Third Ear Band. What happened to Sweeney and co.

A legitimate question, because the reader, a music lover, is not supposed to know the music scene in depth and asks the expert.

Less legitimate is Jones's (derisive? English humour?) response, which only demonstrates the snootiness, know-nothingness and arrogance of a self-referential world that continues to croak its stale truths unconcerned with what is happening just outside the editorial offices of experts...

 no©2024 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

November 22, 2024

Dave Tomlin funeral.

 Dave from the video interview "Radical Elders" (2019).

Dave Tomlin's brother Tony kindly wrote me today:

"Dave was cremated yesterday, an unattended cremation.

Early yesterday morning, around 7AM,  I lit 3 candles in our garden, my way of a funeral. They burned all day and the last one was still burning, in the dark, at 7 PM last night.

Dave really didn't want to let go."

For all the people interested to get his wonderful books (apart "Tales from the Embassy" all the others are almost impossible to find), Tony will ask Dave's son Tom what he intends to do, and I will inform everyone here.

 no©2024 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

November 09, 2024

Dave Tomlin, a giant of British counterculture.


From the video interview "Radical Elders" (2019).

Multi-instrumentalist, lyricist, writer and poet, David John Tomlin (1934-2024) was a seminal figure of the British underground. A founder of Giant Sun Trolley with Glen Sweeney in 1967, a collaborator with the Third Ear Band on “Alchemy” (1969), he was a cultural and political agitator since the second half of the 1960s, after a militancy in trad jazz from the late 1950s with Bob Wallis' band. From 1976 to 1991 he directed a commune experience in the occupied Cambodian Embassy in London, rejuvenating the countercultural model of the legendary London Free University of the 60s (from where Syd Barrett's Pink Floyd, for example, became known). 

Dave Tomlin (right) with Joe Gannon (left) announcing the Notting Hill Carnival, 1966.

From the early 1990s he began a prolific writing activity, mainly in the online pages of the reborn International Times (read here), publishing several books of an autobiographical nature (e.g., on his experiences in India or chronicling his years at the occupied embassy), poetic, non-fiction with strong political and social characterization (such as the essay "Power Lines").

He acquainted me with the dramatic story of Mike Taylor, helping me with research (with his brother Tony) and the writing of his biography, with suggestions and revision of the text. In 2020 he collaborated on the book I wrote about Glen and the Third Ear Band by sending his memories and giving me this unpublished poem of his from 1967, I decided to use as the epigraph of the book:

"The Giant Sun Trolley is coming

League transversing it globally encircuits

Beneath the eversun  

Where lances of pain

Become rays of warmth

Emanating mindwards and on

Till, reaching the epiphany

Of space and time 

Flash in ozonic  splendour

For Cosmic Man."

A true giant of the British counterculture and underground. Intelligent, sharp, witty, always on the right side of those who claim, especially today, the right to a better world.

From the video interview "Radical Elders" (2019).
 

Since very little can be found about him on the internet, I repost here, updated, Dave's bibliography and discography already posted on this archive, willing to supplement or modify it if suggestions are received from you readers.

 

DISCOGRAPHY

. Mike Taylor Quartet – “Pendulum” (LP - Columbia SX6042, UK 1965) Recorded at Lansdowne Studios, London, October 1965. Dave plays soprano saxophone. A 2007 CD reissue by Sunbeam Records also exist, but now very rare.

. Third Ear Band – “Alchemy” (LP/CD – Harvest Records, UK 1969) Recorded at EMI Studios in 1969. Dave plays violin in one track composed by him, “Lark Rise”.

. Hazchem - "Strange Attractor" (CD – Worldwide Records SPM-WWR-CD-0011 7703, 1990) Dave plays violin, keyboards and bass on three tracks, co-composing six tracks of the album and all the lyrics.

. High Tide – “Ancient Gates” (CD - World Wide Records SPM-WWR-CD-0007, Germany 1990) Dave plays violin and keyboard on all the six album tracks.

. Hazchem – “Star Map Excursion” (CD - World Wide Records, Germany 1991) Dave composed two tracks for the album.

. Third Ear Band – “The Magus” (CD – Angel Air Records SJPCD173, UK 2004) Recorded in 1972. Dave plays bass guitar. He writes also the liner notes. A limited edition of 500 copies of 180 gr. vinyl was published in 2019 by Tiger Bay.

 . The Bob Wallis & His New Storyville Jazzmen - (CD – GHB BCD-262, 2006) Dave plays clarinet on three tracks recorded in London, 1959.

 . The Bob Wallis & His New Storyville Jazzmen - "Vintage" (CD – Lake Records LACD280, 2010) Dave plays clarinet on some tracks recorded in London, in the Fifties.

 . Various Artists – “Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz 1960-1975” (CD – Reel Recordings RR026, UK 2012) Dave plays tenor saxophone on one track, “Phrygie”, recorded at Herne Bay Jazz Club in 1961 by the Mike Taylor Quintet.

. Mike Taylor Quartet – “Mandala” (CD/LP – Jazz in Britan, UK 2021) Limited to 500 copies worldwide. Recorded live by Jon Hiseman on 8th January 1965 at the Studio Club, Westcliff-On-Sea, Southend (UK). Dave plays soprano saxophone.

. Mike Taylor Quartet – “Preparation” (CD/LP – Sunbeam Records, UK 2021) Recorded at 19 The Common, Ealing (Mike Taylor’s home) in September 1965. Dave plays soprano saxophone.

 

BIBLIOGRAPHY

"Tales from the Embassy" vol. 1 (Iconoclast Press, London 2002)

"Bluebirds" (Iconoclast Press, London 2004)

"Howling at the Moon" (Iconoclast Press, London 2004)

"India Song" (Iconoclast Press, London 2005)

"Tales from the Embassy" vol. 2 (Iconoclast Press, London 2006)

"The Collected Mister" (Iconoclast Press, London 2006)

"Into the Holy Land" (Iconoclast Press, London 2007) with Tony Jackson

"Tales from the Embassy" vol. 3 (Iconoclast Press, London 2008)

"A Hole in the Wind" (Iconoclast Press, London 2008)

"Harry Fainlight. From the notebooks. Posthumous pieces" (Iconoclast Press, London 2008) 

"Harry Fainlight. Fragments of a lost voice" (Iconoclast Press, London 2008) 

"Power Lines" (Iconoclast Press, UK 2012)

Dave in 1967.

no©2024 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

November 07, 2024

Dave Tomlin passed away on 2 November 2024. R.I.P. dear friend!

 

Dave Tomlin (left) and Steve Pank in London, Summer 2010 (photo: Luca Chino Ferrari)   

This is a very sad news for all of us!

Sadly Dave passed away today, age 90.
One of a kind will be missed by all who knew him.

With these few words, Dave's brother Tony gave us the sad news in a page of IT-International Times.

I got to know Dave years ago through Steve Pank (cellist Ursula Smith's husband)  and I met him in London for some interviews published in this archive. He was a cultured, clever, funny, brilliant person, an inexhaustible source about a lot of countercultural events in the 60's and 70's. His books are unique, fundamental documents for any researchers and lovers of the British underground scene. 

"Tales from the Embassy," published from 2002 in three different volumes, was probably his greatest effort to tell the story of his life in the Cambodian embassy occupied by him and a group of friends to create a kind of free university on the legendary model of the London Free School. Thanks to Dave, in 1987 at the Cambodian Embassy Glen Sweeney brought together for rehearsals the first nucleus of the reborn Third Ear Band with Dave's protégé Allen Samuel on violin.
 

Author of countless articles, mainly on the IT web site,  he wrote many books. Among them, I love particularly that one he edited on his friend Harry Fainlight, an underrated poet (1935-1982): this book ("Fragments of a Lost Voice," Iconoclast Press, London 2010) is a genial philological-creative reconstruction of two lost fragments of poetry found by chance. Also his autobiographical novel "India Song", published by Iconoclast press in 2005, is a masterpiece of sensitivity and intelligence.

It was Dave who introduced me to the controversial story of piano player Mike Taylor, prompting me to write what to date is the only existing biography ("Out of Nowhere," published by Gonzo Multimedia in 2015). It was only thanks to him and his brother Tony that I succeeded, and I will be forever grateful to them  for this extraordinary opportunity. 

I will miss him a lot!

Here below the main pages of this archive where Dave is mentioned: 

https://ghettoraga.blogspot.com/2012/08/new-edition-of-book-on-poet-harry.html

https://ghettoraga.blogspot.com/2012/01/dave-tomlins-lark-rise-origins-cultural.html

https://ghettoraga.blogspot.com/2012/07/dave-tomlins-pendulum-real-cameo-in-his.html

https://ghettoraga.blogspot.com/2012/02/dave-tomlins-new-book-out.html

https://ghettoraga.blogspot.com/2013/03/dave-tomlin-analyzes-for-us-two-his.html

https://ghettoraga.blogspot.com/2019/04/radical-elders-dave-tomlin.html

https://ghettoraga.blogspot.com/2010/02/thanks-to-journalist-andy-roberts-i.html

https://ghettoraga.blogspot.com/2017/05/dave-tomlins-forthcoming-new-book.html

https://ghettoraga.blogspot.com/2012/06/ive-left-my-heart-in-new-orleans-dawn.html

Me and Dave in London, 2010 (photo: Steve Pank).

no©2024 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

November 03, 2024

Four rare 1972 photos of Simon House on eBay.

Four b/w photos of Simon House playing violin with the Third Ear Band at the Clitheroe Pop Festival on June 3rd, 1972 are on eBay for £20. You can buy them HERE.

In front of about 3.000 fans, as Glen's close friend and DJ compere Pete Drummond recalled, "Coming on at the freaky hour of twilight, the Third Ear Band bewitched everybody with music from Polanski's MacBeth. With swallows swooping above them they produced a more melodic sound than of yore." The Third Ear Band line-up consisted of Sweeney (drums),  Minns (oboe), House (violin), Pauli (bass), and Merchant  (guitar and vocals). 

Other bands involved that night were MC5, Trees, Bridget St John, UFO and Brinsley Schwarz.




 no©2024 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

October 12, 2024

My new book on SYD BARRETT out now.

 

 

A new book of mine on Syd Barrett has been in the bookstores for a few months now. It is called "Scritto sui Rovi" (Written on the Brambles).
After Syd's death on 7 July 2006 and all that followed (estate auction, sale of the house, an attempt to normalise his figure by means of the website run by his nephew Ian, Rob Chapman's biography/textbook and the recent TV movie ‘Have you got it yet?‘, a book on the alleged Asperger's syndrome...) I felt it my moral duty to take up my long-standing thesis on the fate of the English musician: Syd consciously withdrew from the rock scene because he was uninterested in becoming yet another music biz star and ‘society of the spectacle’ (see Guy Debord).


If you are interested in this alternative interpretative trajectory, you can buy the book (this time written only in Italian) either directly from my publisher Zona (at: https://editricezona.it/), in bookshops or on online sales portals.

 

 no©2024 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

September 28, 2024

"Not tied into a more coherent narrative history": a 2021 specious review about TEB book/CD by Richie Unterberger.

 
A December 2021 review by Richie Unterberger found by chance on the web at the page
http://www.richieunterberger.com/wordpress/2021/12/
offers me an opportunity to reflect on my idea of musical biography.



Unterberger writes: 
 
"Third Ear Band, The Dragon Wakes (ReR/NOVEMBeR Books). Subtitled “the legendary unreleased album” and lasting a little less than half an hour, this was issued only as a CD bound into the book Glen Sweeney’s Book of Alchemies: The Life and Times of the Third Ear Band, 1967-1973. The Third Ear Band had a sizable underground following in the UK during that time, though they weren’t exactly rock, and more like an instrumental trance music group blending elements of classical and world music, with some jazz-influenced improvisation. Their instrumentation was rather far afield from rock as well, with hand percussion, cello, violin, and oboe. Their recordings will never get more than a niche audience, involving as they do a lot of repetition than many will find wearying.

This disc’s subtitle is a little misleading: a third album titled The Dragon Wakes was announced in Melody Maker in August 1970, but the band did a number of unreleased recordings in late 1970 and early 1971 that might have been considered for such an LP, not just the six previously unissued ones that are on this CD. Other unreleased studio recordings from the era are on the three-CD expanded edition of their second album, 1970’s Third Ear Band, if you’re keeping track.

Small-print details aside, I find this more accessible than most of the Third Ear Band material I’ve heard. It’s still entirely instrumental and based around repetitive riffs likely meant to induce trance-like states, but the riffs are a bit catchier, though not as memorably digestible as those of actual early space rock outfits like Pink Floyd. The use of electric guitar on some tracks, though seen by some fans and critics as a dilution of their purer original sound, adds some welcome texture. For these reasons, overall it’s more likely to be appreciated by lovers of psychedelic/early progressive rock than much of their official output from the time.

The book it accompanies, however, isn’t so hot. It’s a kind of disjointed collection of interviews with and memories by band members and associates that doesn’t coalesce into a coherent history, or an especially interesting one if you’re not familiar with much of their background. A detailed timeline and discography at the end help put the pieces together, but it’s unfortunate the ingredients weren’t tied into a more standard, coherent narrative history."
 

The controversial elements of this review, which could be taken as paradigmatic of the subculture with which rock journalism has always operated, are more than one, which I summarize below:

1- from a strictly journalistic point of view, it is really amateurish to review a CD attached to a book without mentioning the author of the book, especially if, as Unterberger does, he is given detailed criticism. In Western countries it has to do with the classic rule of the five Ws (where/when/who/what/why). An article, whatever it may be, cannot be said to be correct if it is not based on all the five Ws. It also attends, as is evident, to the ethics of the journalist;

2- the reviewer disputes the subtitle of the CD, claiming it is misleading because it would not be the band's “legendary third record,” but as I explained in detail in the accompanying booklet, also based on the testimony of Danny Bridges who donated the original recordings to me, that is exactly what it is. Unterberger, who seems not to have read the booklet, speciously disputes the assertion, maliciously suggesting that the publisher wanted to play on a title to lure the reader. Not only that, by never citing me as the author/editor of the book and CD booklet delegitimizes my credibility as a researcher...;

3- as for the comment on the book, in the final paragraph of the review, apart from the omission of me as an author I find laughable and simplistic the criticism that the book is a disunited collection of interviews and materials. I can understand the frustration of not being faced with a classic biography, to which rock readers and journalism are accustomed, but for my part I believe more in the value of documentation than in the questionable, subjective opinions of an author. History is built first and foremost from sources, from documentary materials, and there is no such thing as a definitive biography, as authors and editors have always been going on about.
 
Do you want recent proof? 
 
When Patrick Humphries' biography of Nick Drake, launched precisely as the “definitive” one, was released by Bloomsbury in 1997, it was rightly thought to be so, so thorough and documented did it appear. A few years later (2014) an extraordinary volume entitled “Remembered for a While,” subtitled “The Authorized Companion To The Music Of Nick Drake,” was published by Little, Brown & Company. It had been edited directly by Drake's sister, Gabrielle, and collected documents, photographs, and letters from her brother's family archive.
This year, when it was legitimate to think that everything possible had been written about Drake, Richard Morton Jack published for John Murray Press his biography on him "The Life," however once again cast as "definitive."
 
What need was there, one might think?

This example among many demonstrates in my opinion one thing Unterberger has not yet realized: that there is an abysmal difference between documents and the interpretation of them. Which makes legitimate all biographies written and to be written about Drake (or the Third Ear Band...), based on in-depth study of existing sources.

My book on the Third Ear Band collects all the interviews published on this Archive (which Unterberger is careful not to cite...) over the years; programmatic manifestos; poems; Sweeney's writings; detailed discography; chronology... a jumble of objective and non-objective sources that can serve anyone to construct their own biography of the band.

This structure of the book, which I wanted and which the publisher has intelligently supported, is also a reaction to the deterrent logic of the author's authority dispensing his knowledge to the reader, offering arbitrary, subjective reconstructions, logical and temporal connections as if they were objective. Hence the desire, even at the cost of being pedantic, to report different recollections of the same historical event (e.g., that of the theft of the instruments).

This also has to do with the chronic passivity of the reader who expects a definitive biography that cannot exist, because every existence, no matter how thoroughly reconstructed, is fatally elusive, impregnable.

With all due respect to music journalists like Unterberger.

no©2024 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)