Showing posts with label Blackhill Enterprises. Show all posts
Showing posts with label Blackhill Enterprises. Show all posts

September 01, 2025

On the road with the Third Ear band. Steve Pank's memories on driving for the band.

After I had published the magazine, Albion, I was running weekly benefits in All Saints Church Hall with the Third Ear Band playing as the resident band, Sam Cutler was the compere and he introduced many guests, including Alexis Korner Arthur Brown, and Davy Graham. Members of the Floyd used to come down, and on one occasion, Syd Barrett did short set, backed by Nick Mason on drums and David Gilmour on bass guitar. Andrew King of Blackhill Enterprises asked if I could put on the Edgar Broughton band which I did, and when Glenn asked me if I could recommend an agent and I suggested Blackhill Enterprises. They signed on the Third Ear Band. and to a recording deal with EMI Harvest records. The first booking they got was some way out of London supporting John Mayalls Bluesbreakers. To get there, Glen booked ‘Motivation transport, very sympathetic to heads.’ Their van broke down on the way home and the group had to hitch home.

Afterwards Glen asked me if I would drive for the band and I agreed to do so, He hired a transit van. I drove for the band for two years for 12,000 miles. Anywhere that was unfamiliar I would always stop and check the signposts, and we never missed a gig.

Blackhill organized free concerts in Kensington Gardens, The first featured with other groups. the Pink Floyd, Pretty Things, the Third Ear Band was the opening band. the second one featured Blind Faith with Eric Clapton. the Third one was in Hyde Park featuring the Rolling Stones, with Alexis Korner, the ‘Third Ear’, and other groups. A rumour went round that the Third Ear Band was booked to open the concerts to ensure that the weather was good.

One booking we had was organised by DJ and broadcaster John Peel, and folk singer Bridget St John. It was at Holloway ladies’ prison. The concert was for the remand prisoners. We met in John Peel’s flat. Also on the booking was a folk duo called Friends of the Poor, consisting of a singer guitarist and a cello player. the singer with Mike Deighan and the cellist was Ursula. At that time the cello player in the ‘Third Ear’ was Paul Buckmaster who had just been involved in an instrumental version of J‘taime by Jane Birkin, which was being played on the BBC. Because of this he had told Glen he could not play on the next booking. I suggested to Glen . ’Why don’t you ask Ursula to play at the next gig?’ and Glen replied ‘I have already asked her to join the band’. One of the first bookings that Ursula played on was at the first Isle of Wight festival that was to be headlined by Bob Dylan.

After driving Down to Portsmouth and crossing on the ferry to the Isle of Wight, we headed to the festival venue at Ryde. The previous night, the Saturday, had been headlined by The Who. The Sunday was more of a folky concert with people like Julie Felix and Richie Havens, and the Third Ear Band who played in the afternoon. There was a big stage and an audience of half a million people. Afterwards, Ursula told me that after she had got up on the stage and drew her bow across the strings, there was a huge roaring sound such as she had never heard before from her instrument.

There was a lot of expectation in the air, that evening was the first time for Bob Dylan to appear live since his motorcycle accident two years before. He was to be backed by The Band. As artists we were allowed into the small enclosure in front of the stage, the Beatles and the Rolling Stones were all there. I remember hearing that as Paul Minns was sitting down, someone came up to him and said: ‘You can’t sit there. because that is Ringo Starr seat’.

We waited a long time, maybe an hour for the evening concert to start, then The Band appeared and did a set. When Bob Dylan did come on and started playing, he seemed very nervous and uncomfortable with his guitar. This was his first public performance since he had a motorcycle accident. He then handed the guitar to Jamie Robbie Robertson of The Band to tune it up, and after that, things did improve. At one point he stopped playing and looking around at the crowd. said ‘It’s good to be here’. At the time it was the biggest live crowd he’d ever played to. There was one time we went down to Michael’s Mount at the tip of Cornwall to play a booking, and I remember the promoter telling us that his car had been parked on the beach and as a result had it been washed out to sea.

The band was booked to do a national tour in ten major venues around Britain with Al Stewart. We discussed with Glen what to call the tour. John Michell just published a book about ancient ley lines and geomantic patterns called ‘The View Over Atlantis’ and we suggested the tour could be called ‘Atlantis Rising’. Glen said it sounded good to him but what would Al Stewart think? Ursula and myself agreed to go and see Al Stewart and ask him if he would agree. he reluctantly agreed, and said he would just as soon it was called ‘Ham and Eggs!’ However by the time the tour ended, Al Stewart included a song he had written that was all about the prophecies of Nostradamus. John Michell’s book ‘The view over Atlantis’ was written up in the programme.

The tour covered ten venues. Starting out at Queen Elisabeth Hall in London, then going to Leith town hall in Scotland, Birmingham Town Hall, North Staffs Poly, Colston Hall Bristol, Fairfield Hall in Croydon, Southampton Guildhall, Century Hall Manchester, Crewe Hall Sheffield and ending up at Brighton Dome. After the tour, there was noticeably more interest in the band, and there was better attendance at local bookings.

The Third Ear Band played a booking at the Paradiso, the top club in Amsterdam, I remember during that gig, a lot of the audience were lying flat on the floor! Another important gig was at the Essen pop and blues festival in Germany. This was in a huge sports arena, and along with the Third Ear Band, there were a number of other British bands on the bill. I remember thinking how good the Third Ear Band sounded, a recording of this has been recently released as a LP by German M.I.G. Records.

The band was always popular in Wales. One night, I drove to Aberystwyth and back in one night. On that occasion, I remember Andrew King was there, came into the band room and found me lying on the floor trying to get some rest before driving the band back home to London. On another occasion we went to Glasgow and we had nowhere to stay so we asked a member of the audience if they knew anywhere we could stay. They found some people who were happy to put us up.

There was an occasion when the van’s battery charger was failing, and I had to drive back to London on the A1 using only the sidelights. It was around that time that the driver of the Fairport Convention’s van fell asleep at the wheel. This caused an accident in which two people, Martin Lamble the drummer, and Jeannie Franklin, Richard Thompson’s girlfriend, died in the crash. Jeannie had been a clothes designer and had made outfits for the band the Cream. Jack Bruce‘s first album was dedicated to Jeannie and was called “Songs for a tailor” in her memory. After that happened. I said to Glen that I felt it was getting dangerous and we needed have a second driver especially on the long trips. The first second driver we had was Terry Oldfield, the younger brother of Mike Oldfield, he lasted about two weeks. then Glen got another driver who had previously worked as a professional roadie for some time.

Originally, I had been living in this in a flat off Ladbroke Grove and then I moved into the basement flat of Richard Coff, the violinist with the band. Shortly after that, I moved into a community in Brixton with Ursula. I was then parking the van in Acre Lane Brixton, and the equipment was not secure. Living in this community I got interested in playing the guitar and writing songs myself. That was when I left as driver of the band.

After I left, the band did a live recording of the film Abelard and Heloise, As Ursula described it, there was no preparation, the group just sat down and improvised while watching the film on a screen. After they came off the plane, they were off to Glastonbury to play for a Ceremony with a Druid group, on the top of Glastonbury Tor.

Steve Pank, August 2025

no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first).
 

March 27, 2025

Rare photo of the TEB pops ups on the Web!

This rare photo of the band in its brilliant, wonderful line-up with Sweeney, Minns, Buckmaster and Bridges (note his legendary double deck electric guitar!) was taken in November 1971 in one of the last Blackhill promo sessions.

It's on sale now on EBay for about 60 euros here

no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

August 27, 2024

The Al Stewart and Third Ear Band's 1970 tour programme.

 
 
Among the Third Ear Band memorabilia in my archive, this tour program has a special place because it was given to me years ago by Steve Pank, the band's first manager (and driver). As 'lived-in' as it is, when I leaf through it for me it is always a pleasure to look at.

It is interesting to note the band's introductory note with the famous motto “art form or con?” devised by Blackhill and the comments to the individual tracks in the set. These include the apparently unreleased Druid 11(almost ironic, since we know Druid and Druid One exist in the repertoire) and Labyrinth, with that laconic “Find the end.”
 
Truly jarring the iconography and writing of the Band and the following promos for Al Stewart, 'authentic star' of the tour. Can you imagine what Paul Minns might have thought of this unlikely encounter?
 
The tour, almost certainly the longest ever undertaken by the Third Ear Band, began on January 3, 1970, at London's Queen Elizabeth Hall and touched 16 English cities from the south to the north of England, ending on February 27 with an appearance at the Dome in Brighton.
 






no©2024 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

July 13, 2022

Can you believe that in a photo studio in Milan I found 26 unreleased photos of the Third Ear Band?

1.

It was a classic stroke of luck, sort of like when an occasional customer at a junk store comes across a dusty Van Gogh, hidden in a corner of the store under cheap prints and a lamp from the 1960s.
A dear friend of mine, an excellent electric guitar/bass player, in a flea market buys a portfolio of four unpublished black-and-white photos of Led Zeppelin, taken at the ill-fated but legendary Vigorelli Velodrome gig (in Milan) in 1971: all happy and proud about this find, he tells me that it was a photographer from Milan, a certain Ferlaina, who sold them to him.
He also tells me that the photographer has a Web site at  http://www.archivioferraina.com/ 

He days: "Drop by and you will see that he has interesting things."

I go in there and am immediately heartbroken when I realize that in his archive there are over 200 shots from the legendary concert that the Rolling Stones played in Hyde Park on July 1969. A concert that unfortunately, by the naïve logics of the time, was filmed extensively only to document the commemoration the Rolling did of their founder genius Brian Jones, but no footage was devoted to the other groups involved by Blackhill Enterprises - King Crimson, Alexis Korner & the Blues Incorporated and the Third Ear Band (read more HERE). 

It doesn't take me long to call the studio and talk to Mr Ferlaina who, very kindly, explains that yes, in addition to the Rolling Stones, "there seem to be pictures of other musicians." I jump in my chair and ask him to send me some examples: after a few minutes shots of Alexis Korner, Robert Fripp, and... Of Glen Sweeney playing on stage with Richard Coff! Then shots taken backstage where Glen is hugging Carolyn Looker and Paul  Minns is with first wife Mary Haynes and Tristan, their first son!
Even of Edgar Broughton that day in the audience with Lauren Loz, his wife...

(1- to be continued)

Edgar Broughton with his wife Laurie. 

 no©2022 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first.

March 02, 2022

"The Crab & the Crescent Moon" original poster!

With Steve Pank, one of the eyewitnesses to TEB's early years in the role of tour manager, it was always that way. His memories come up a little at a time, over the years I've gotten used to it.

A week ago, totally unexpected, he wrote me an email with a magnificent poster of the band attached, one of the best ever made (Carolyn thinks so too), and told me the anecdote that follows:

"There is a story with this. The Third Ear Band was doing a gig on the evening when Apollo 11 landed on the moon.
I was staying in Richard flat, when we got back, we turned on the TV and watched live footage, of Neil Armstong walking on the moon. A short while later, later Glen said to me that he had had a dream the night before about the Crab and the Crescent Moon. 

I said, 'That would be a great title for a concert!' Dave Loxley agreed to do the poster, and this is the result."

Held on September 20, 1969 at Queen Elizabeth Hall (London), the evening was promoted by Blackhill Enterprises and also featured Bridget St John, Sam Hutt and DJ John Peel. 

About Sam Hutt, Steve writes that "he was a friend of Peter Jenner . He's a qualified doctor, who at time prescribed medical cannabis. Later he became a spoof country singer under the name of Hank Wankford."

International Time ad (April 1969)

 no©2022 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

December 06, 2019

Found old poster with TEB gigs in 1973...


After the Blackhill split and the laid up project of a fourth studio album, TEB sailed on the open sea risking the shipwreck: few concerts, a strong change in the record market and the musical scene, left the musicians virtually with no prospects.
This poster found on Pinterest shows three rare gigs the band played in March 1973. Maybe the very last ones before their abandon...


no©2019 Luca Chino Ferrari (unless you intend to make a profit. In which case, ask first)

June 29, 2019

Celebrating the TEB 'curious story' on PROG magazine...


"It's the same the world over", as they said. English rock magazines are generally better than the Italians, but anyway we are very far from the famous legendary Oscar Wilde's statement about the critic being as an artist...
This long tribute to the TEB's saga under the title "Dragon Lines. The curious story of the Third Ear Band" written by Malcolm Dome for PROG magazine (#99, July 2019) is cheap of revelations and shows some little errors (the  worst  of all is stating Richard Coff is dead!), with well-known opinions by Blackhill's managers (the same old things about Glen being a trickster and a good PR man of the band...) and a arguable assertion by Denim Bridges on the mystic nature of TEB's identity.

Dome: "Celtic, raga, Chinese, Indian and Native American daubs abound throughout Alchemy. And there were rumours the band were actively involved in mysticism. But guitarist Denim 'Denny' Bridges, who joined in 1970, has his own views on this."

Bridges: "I believe Glen was very knowledgeable about the subject. But he was certainly also prepared to use it to get interest in the band. If he felt that using alchemy and magick imagery would get us attention, then he would exploit the side as much as possible".

As often happened on English magazines or books, also for Dome the TEB's Italian reunion is quite irrelevant, and THE MOTHER OF ALL QUESTIONS seems to be that there are still some mysteries around that have to be solved. "For instance, did Sweeney actually fight in World War II?"

So, apart from some well-known pictures, the very scarce informations about the recent three Cherry Red's reissues (!!!), no elements to the readers for understanding the great musical intuitions of the band, no references to the huge work made by this Archive in the last ten years... this is an important stuff because can let many young Prog fans to know the intriguing underground story of the Thirds.


no©2019 Luca Chino Ferrari (unless you intend to make a profit. In which case, ask first)

December 18, 2017

And old picture with Ursula Smith published on the Web.


This old b/w picture with Ursula Smith emerged from Blackhill Enterprises/Harvest Records artist Michael Chapman's official Facebook page (https://www.facebook.com/michael.chapman.9085).
Taken in 1970, the photo shows Michael Chapman with some folk musicians as Bridget St. John (on his right) and 'our' Ursula (seated just beyond her)... On her right Lyn (Blackhill's secretary) and on left Sumi Jenner, Peter Jenner's wife and Linda Kattan (Blackhill Enterprises' secretary), friend of Glen Sweeney and Carolyn Looker who gave me some memories for the forthcoming book on the TEB.

 
                           Ursula Smith is the 2nd seated from left.
no©2017 Luca Chino Ferrari (unless you intend to make a profit. In which case, ask first)     

July 29, 2017

Rare EMI-Blackhill's invitation card found!


This is a rare invitation card printed by E.M.I. Records in conjunction with Blackhill Enterprises to launch Harvest artists at the Mothers club in Birmingham on June 4th, 1969.

 

The interesting thing about it is that Harvest selected the Edgar Broughton Band, Michael Chapman, Pete Brown & the Battered Ornaments and 'our' Third Ear Band to represent its music just few days later (May 30th) the first showcase at the London Roundhouse.

That was a very intense period for the TEB because just after "Alchemy" released few days later (June 7th) the band played the Hyde Park free concert  supporting Blind Faith.
 
                        Mothers club membership card
no©2017 Luca Chino Ferrari (unless you intend to make a profit. In which case, ask first)

June 26, 2017

"Blackhill Bullshit", a very rare underground magazine by Blackhill Enterprises agency.


Blackhill Enterprises was the main agency of the Third Ear Band. Founded in October 1966 by Peter Jenner and Andrew King, taking the name from King's holiday cottage in Wales ("Blackhill Farmhouse"), it managed bands and musicians as Pink Floyd, Edgar Broughton Band, Roy Harper, Kevin Ayers & the Whole World, Al Stewart, Bridget St. Jones, Michael Chapman, Pete Brown... the cream of the English underground.

Andrew King and Peter Jenner with the staff at Blackhill headquarter
(photo ©Adrian Boot)
Blackhill made an agreement with E.M.I. and gave many artists (often produced by Jenner and King themselves)  to its subsidiary label Harvest Records managed by Malcolm Jones,  that published records from June 1969 to July 1985. Harvest catalogue is one of the most creative ever, a peculiar, unique mood for listeners to feel the end of '60's-beginning '70's.

Blackhill Enterprises staff with Glen Sweeney on the centre (beyond Andrew King) (photo ©Adrian Boot)

Judgements on Blackhill's experience are controversial: for Glen Sweeney and Paul Minns the agency was a mixture of improvisation and naivete; for Andrew King the Third Ear Band's approach to music biz was amateurish. "Blackhill was only interested in Art, TEB were only interested in Money (and sex and drugs)", stated a caustic King when I interviewed him. "EMI didn't know what they were interested in, but felt that should be money involved. There wasn't really anyone at EMI (except perhaps Malcolm Jones) capable of having a conversation with them. So Blackhill was always the go-between; and really Blackhill had no clear plans as to what we were trying to achieve.The TEB were so divorced from the normal sort of "act", that it was always difficult to see them as anything more than a sort of strange hobby; despite the fact that they sold a lot more records than more conventional bands (e.g. Kevin Ayers)."

Apart this, Blackhill was certainly an hotbed of creativity and inventiveness. They promoted the first free live concerts in England, made innovative graphics for posters, handbills, press releases, coining ironic promotional saying as the emblematic "No announcements, numbers lasting 15 to 20 minutes, art form or cons?" about the TEB's music (from the original tour programme with Al Stewart, January-February 1970).


One of the less known Blackhill's outputs, now very rare objects for collectors (one single issue was sold in 2013 for £40!), was the magazine "Blackhill Bullshit", a 16 colour pages plus cover published by Cornfield Music Limited and distributed free to concert promoters and agents in order to publicise agency's artists.

"After the first couple of issues (edited by Hugh Nolan), Adrian Boot took charge as editor, and designed the layout and artwork (the work of Robert Crumb, Kim Deitch, Simon Deitch, Wally Wood, Skip Williamson and Fred Pipes also appeared regularly).
The first two issues feature Mick Farren's pared-down autobiography, as well as Chris Welch on Ron Geesin, Pete Jenner's report from LA, features on the Battered Ornaments, Edgar Broughton, John Martyn and others, plus news of concerts, tours, and Implosion at the Roundhouse.
 
"Issue #4 announces Pink Floyd's July 1970 free concert in Hyde Park, and prints a full-page ad. for Phun City, with artwork by Ed Barker, and issue #5, amidst numerous, irreverent comments on the music scene, reports from various rock festivals, including Phun City ("One long boring rip off").

Issue #6 features a three-way interview with Edgar Broughton, Steve Broughton and Pete Jenner, and #7 solicits help for Bullshit's "massive legal costs… We're constantly being plagued with writs, constantly being sued for libel" (these included an obscenity case after apprentice vicars in Bristol were sent the magazine: IT #124 reported that "It is rumoured that the lovely Lyn of Blackhill didn't exercise her discretion quite enough when mailing out the mag, and the young vicars received a nasty cultural shock"). "
Issue 4 (see above) shows Glen Sweeney on front cover and Paul Minns, Ursula Smith and Richard Coff on the back. 
Glen and Paul never talked to me about this magazine, so it's possible they didn't give too much importance to it (infact it seems there are no many references to the Third Ear Band on the issues).

Just eight issues was printed from November 1969 to March 1972, when Blackhill started to have some troubles to stay in the market.

"Blackhill Bullshit" #1 (November 1969)

no©2017 Luca Chino Ferrari (unless you intend to make a profit. In which case, ask first)   

May 29, 2017

Found lot of never seen ads about the Band!


After many years of absolute nothing, thanx the Net sometimes we find never seen before stuff about the TEB.
So, after the recent found of 5 unrealised photos by Ray Stevenson and the promo ads about TEB gig at the 1973 second edition of the Windsor Free Festival, here below you can see other extraordinary things related to the glorious past of Glen Sweeney and C.: handbill concert of the Giant Sun Trolley, TEB gigs ads, Blackhill Enterprises press releases...
Of course, all of this will be included in the chronological file at  http://ghettoraga.blogspot.it/2010/07/a-teb-day-by-day-chronology-1966-1971.html and http://ghettoraga.blogspot.it/2016/06/a-teb-day-by-day-chronology-1972-2016.html





 Teathre Royal concert handbill (July 2nd, 1967) with last appearance of Dave Tomlin and the Giant Sun Trolley.
 
Isle of Wight Festival celebration 1970-1990.
OZ Magazine #22 with David Loxley snakes.

no©2017 Luca Chino Ferrari (unless you intend to make a profit. In which case, ask first)   

May 03, 2017

TEB at the London Roundhouse, May 30th, 1969


"Hi Ghettoraga,
I'm making a film about Eel Pie Island and would like to include a photo of TEB outside Roundhouse. Any idea who took it? It looks like a publicity shot so perhaps their record company? See more at www.eelpieislandmusic.com/film 
Regards, 
Cheryl Robson"
 

"Hi Cheryl,
nice to hear you're involved with this great project...
The old photo with the band beyond the Roundhouse was probably taken by someone in Blackhill Enterprises agency staff, because it was taken just after the first Harvest artists showcase on May 30th, 1969 (two shots of the band on stage are on sale at Repfoto site - https://www.repfoto.com/index.php6).
The original photo was published officially for the first time on EMI-Harvest 5CDs-Book anthology "Harvest Festival" published in 1999, so you could ask them.
On the same book you can find also photos of Michael Chapman and the Edgar Broughton Band taken in the same occasion.
That's all I can tell you.
Please, let me know if you will use the TEB photo for your project because I will promote it through Ghettoraga Archive.
Best wishes,
Luca Chino Ferrari".

no©2017 Luca Chino Ferrari (unless you intend to make a profit. In which case, ask first)   

April 12, 2016

OZ magazine colourful ads found.


TEB Italian fans pages run by my friend Mirco Delfino (go to https://www.facebook.com/pages/Third-Ear-Band/156660855584?v=info), with interesting links with music as/inspired by the TEB, posted these very interesting old colourful Blackhill Enterprises-Harvest Records ads published by the legendary freak underground OZ magazine in 1969 and 1970.


                                                       July 22, 1969

                                    September 23th, 1969

                                         February 26th, 1970


Note the usual Blackhill's style based on imaginative communication full of philosophical and psychological statements and a flower-power call: "To love Blackhill Enterprises is to love Life"... 

no©2016 Luca Ferrari (unless you intend to make a profit. In which case, ask first)