Showing posts with label International Essen Pop & Blues Festival. Show all posts
Showing posts with label International Essen Pop & Blues Festival. Show all posts

September 01, 2025

On the road with the Third Ear band. Steve Pank's memories on driving for the band.

After I had published the magazine, Albion, I was running weekly benefits in All Saints Church Hall with the Third Ear Band playing as the resident band, Sam Cutler was the compere and he introduced many guests, including Alexis Korner Arthur Brown, and Davy Graham. Members of the Floyd used to come down, and on one occasion, Syd Barrett did short set, backed by Nick Mason on drums and David Gilmour on bass guitar. Andrew King of Blackhill Enterprises asked if I could put on the Edgar Broughton band which I did, and when Glenn asked me if I could recommend an agent and I suggested Blackhill Enterprises. They signed on the Third Ear Band. and to a recording deal with EMI Harvest records. The first booking they got was some way out of London supporting John Mayalls Bluesbreakers. To get there, Glen booked ‘Motivation transport, very sympathetic to heads.’ Their van broke down on the way home and the group had to hitch home.

Afterwards Glen asked me if I would drive for the band and I agreed to do so, He hired a transit van. I drove for the band for two years for 12,000 miles. Anywhere that was unfamiliar I would always stop and check the signposts, and we never missed a gig.

Blackhill organized free concerts in Kensington Gardens, The first featured with other groups. the Pink Floyd, Pretty Things, the Third Ear Band was the opening band. the second one featured Blind Faith with Eric Clapton. the Third one was in Hyde Park featuring the Rolling Stones, with Alexis Korner, the ‘Third Ear’, and other groups. A rumour went round that the Third Ear Band was booked to open the concerts to ensure that the weather was good.

One booking we had was organised by DJ and broadcaster John Peel, and folk singer Bridget St John. It was at Holloway ladies’ prison. The concert was for the remand prisoners. We met in John Peel’s flat. Also on the booking was a folk duo called Friends of the Poor, consisting of a singer guitarist and a cello player. the singer with Mike Deighan and the cellist was Ursula. At that time the cello player in the ‘Third Ear’ was Paul Buckmaster who had just been involved in an instrumental version of J‘taime by Jane Birkin, which was being played on the BBC. Because of this he had told Glen he could not play on the next booking. I suggested to Glen . ’Why don’t you ask Ursula to play at the next gig?’ and Glen replied ‘I have already asked her to join the band’. One of the first bookings that Ursula played on was at the first Isle of Wight festival that was to be headlined by Bob Dylan.

After driving Down to Portsmouth and crossing on the ferry to the Isle of Wight, we headed to the festival venue at Ryde. The previous night, the Saturday, had been headlined by The Who. The Sunday was more of a folky concert with people like Julie Felix and Richie Havens, and the Third Ear Band who played in the afternoon. There was a big stage and an audience of half a million people. Afterwards, Ursula told me that after she had got up on the stage and drew her bow across the strings, there was a huge roaring sound such as she had never heard before from her instrument.

There was a lot of expectation in the air, that evening was the first time for Bob Dylan to appear live since his motorcycle accident two years before. He was to be backed by The Band. As artists we were allowed into the small enclosure in front of the stage, the Beatles and the Rolling Stones were all there. I remember hearing that as Paul Minns was sitting down, someone came up to him and said: ‘You can’t sit there. because that is Ringo Starr seat’.

We waited a long time, maybe an hour for the evening concert to start, then The Band appeared and did a set. When Bob Dylan did come on and started playing, he seemed very nervous and uncomfortable with his guitar. This was his first public performance since he had a motorcycle accident. He then handed the guitar to Jamie Robbie Robertson of The Band to tune it up, and after that, things did improve. At one point he stopped playing and looking around at the crowd. said ‘It’s good to be here’. At the time it was the biggest live crowd he’d ever played to. There was one time we went down to Michael’s Mount at the tip of Cornwall to play a booking, and I remember the promoter telling us that his car had been parked on the beach and as a result had it been washed out to sea.

The band was booked to do a national tour in ten major venues around Britain with Al Stewart. We discussed with Glen what to call the tour. John Michell just published a book about ancient ley lines and geomantic patterns called ‘The View Over Atlantis’ and we suggested the tour could be called ‘Atlantis Rising’. Glen said it sounded good to him but what would Al Stewart think? Ursula and myself agreed to go and see Al Stewart and ask him if he would agree. he reluctantly agreed, and said he would just as soon it was called ‘Ham and Eggs!’ However by the time the tour ended, Al Stewart included a song he had written that was all about the prophecies of Nostradamus. John Michell’s book ‘The view over Atlantis’ was written up in the programme.

The tour covered ten venues. Starting out at Queen Elisabeth Hall in London, then going to Leith town hall in Scotland, Birmingham Town Hall, North Staffs Poly, Colston Hall Bristol, Fairfield Hall in Croydon, Southampton Guildhall, Century Hall Manchester, Crewe Hall Sheffield and ending up at Brighton Dome. After the tour, there was noticeably more interest in the band, and there was better attendance at local bookings.

The Third Ear Band played a booking at the Paradiso, the top club in Amsterdam, I remember during that gig, a lot of the audience were lying flat on the floor! Another important gig was at the Essen pop and blues festival in Germany. This was in a huge sports arena, and along with the Third Ear Band, there were a number of other British bands on the bill. I remember thinking how good the Third Ear Band sounded, a recording of this has been recently released as a LP by German M.I.G. Records.

The band was always popular in Wales. One night, I drove to Aberystwyth and back in one night. On that occasion, I remember Andrew King was there, came into the band room and found me lying on the floor trying to get some rest before driving the band back home to London. On another occasion we went to Glasgow and we had nowhere to stay so we asked a member of the audience if they knew anywhere we could stay. They found some people who were happy to put us up.

There was an occasion when the van’s battery charger was failing, and I had to drive back to London on the A1 using only the sidelights. It was around that time that the driver of the Fairport Convention’s van fell asleep at the wheel. This caused an accident in which two people, Martin Lamble the drummer, and Jeannie Franklin, Richard Thompson’s girlfriend, died in the crash. Jeannie had been a clothes designer and had made outfits for the band the Cream. Jack Bruce‘s first album was dedicated to Jeannie and was called “Songs for a tailor” in her memory. After that happened. I said to Glen that I felt it was getting dangerous and we needed have a second driver especially on the long trips. The first second driver we had was Terry Oldfield, the younger brother of Mike Oldfield, he lasted about two weeks. then Glen got another driver who had previously worked as a professional roadie for some time.

Originally, I had been living in this in a flat off Ladbroke Grove and then I moved into the basement flat of Richard Coff, the violinist with the band. Shortly after that, I moved into a community in Brixton with Ursula. I was then parking the van in Acre Lane Brixton, and the equipment was not secure. Living in this community I got interested in playing the guitar and writing songs myself. That was when I left as driver of the band.

After I left, the band did a live recording of the film Abelard and Heloise, As Ursula described it, there was no preparation, the group just sat down and improvised while watching the film on a screen. After they came off the plane, they were off to Glastonbury to play for a Ceremony with a Druid group, on the top of Glastonbury Tor.

Steve Pank, August 2025

no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first).
 

January 30, 2025

"Druid One" album review by Italian musician and writer Alessandro Monti.


Here's a brilliant review on "Druid One - Live at Essen Pop and Blues Festival 1970" by my friend Italian musician and music writer ALESSANDRO MONTI (https://unfolkam.wordpress.com/a very big fan and expert of Our Holy Band.




"Where do we come from? 
All we know is that we are born on this planet, we live, we walk, we play, we work and then we leave leaving traces of our passage without knowing what will happen to those traces, and without paying the slightest attention to who will follow or collect them.

I have often asked myself these questions while listening to magnificent recordings like this one, in which half the members of the group are now elsewhere, entities of pure spirit beyond this material world without knowing that their improvised music was so intense as to take root in the planet and be rediscovered at unthinkable moments... or maybe they knew? 

Curious to think that the other half of the group continues to make music: a classical cellist and a violin teacher disinterested in his past: that's life. But to many of us this music still communicates a unique and unrepeatable emotion, a ritual that is renewed with every listen as if it did not belong to any era... perhaps because it belongs to ALL eras? 

The answer blows in the wind with this music taken from a concert in 1970, recorded impeccably by German radio at the time of the second album based on the four elements, it is no coincidence that two of them appear: water at the beginning and at the end, after an alchemical sonic journey, the dance of the earth. 

There was a time when we literally had to work miracles to find live recordings of our favorite bands, then the doors of the cosmic archives opened and we listened to all sorts of things. Today the release of a new TEB album seems almost normal, in reality all this is miraculous, especially if we think about the time spent on the dusty shelves of some archives. The music speaks for itself and no comment (let alone "critical") could add something sensible... just a few technical aspects to note: 

side A of this album starts in fade in, certainly after the performance has already begun, while side B ends with a fade out while the group seems to be able to continue endlessly, this makes me think (like Luca wrote) that perhaps it is not a complete tape, but the unrepeatable magic fully justifies its publication with the rare quote from Abelard & Heloise to seal the set: a surprise too good to be true."

Recording: ️ ️ ️ [5/5]
Vinyl dynamics: ️ [3/5]
Performance: ️ ️ [5/5]
Magic: ️ ️[5/5]

 
no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

June 26, 2024

A CD edition of Essen Festival is scheduled for the Autumn.

Bernd Ramien, A&R catalog and marketing manager of M.I.G. Music, wrote me that a CD edition of the live gig at Essen Festival is planned for the Autumn. In fact, this limited vinyl edition was thought for the TEB collectors and vinyl lovers.

Updates on the M.I.G. Music web site at  http://www.mig-music.de/en/ or https://www.facebook.com/migmusic.de/

no©2024 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

April 05, 2016

An unknown wonderful footage with the Third Ear Band in 1970!


Thanks our friend and TEB fan archeovideologist Spirito Bono we have a new brief footage with the Band on stage aired by WDR TV just few days ago (March 28th, 2016). The little cameo is available in free download at: http://www92.zippyshare.com/v/GsK59Pwl/file.htm
It seems* it's taken from the International Essen Pop & Blues Festival (October 1970) where with musicians as Taj Mahal, Keef Hartley Band and Hardin & York... at the Essen (Germany) Galerie der Entertainer played also The Third Ear Band in its best line-up ever: Glen Sweeney on tablas and tambourine; Paul Minns on oboe; Ursula Smith on cello and Richard Coff on violin.
The brief sequence (just 2:38), alternating the musicians' close-ups and a relaxed audience, is the last part of "Earth" taken from the "Elements" album: this really exclusive document shows Ursula Smith using the arpeggio on cello and Richard Coff playing his violin with a plectrum...
Enjoy this obscure pearl!

 

*Philological/archivistic note: I write "it seems" because the source states that period, but I think it's dubious the Band played in October 1970: in fact in August 1970 Smith and Coff split the group and Bridges and Buckmaster joined the TEB. So it's this live concert was played before, from second half of 1969 to first half of 1970...
Fan and TEB expert Mirco Delfino suggests it could be played on April 24th, 1970 at the Essen TV as reported on the original Paul Minns' journal: in fact the sequence is build on a quite amateurish editing of the band playing on a studio and the audience laying at a live concert...
no©2016 Luca Ferrari (unless you intend to make a profit. In which case, ask first)