April 08, 2017

Glen Sweeney's tribute book finished, ready to be published.

My tribute-book to the art and genius of Glen Sweeney (and the Third Ear Band) is now finished and it's ready to be published.
Talent graphic Martin Cook (who made the last three TEB's cds for Gonzo) is working on it, full of pictures and stuff about the glorious Glen & TEB's history.
Just to give you a little taste of it, here below you can read a funny short memory from rock alternative musician Morgan Fisher (who played for a short period with the TEB in 1973) that is included on the book:

"My (probably record-breakingly) short stint as synth player with the Third Ear Band included just two radio shows and one concert, in the spring of 1973, before I was whisked off on a USA tour by Mott the Hoople. So I had little time to get to know the Band personally. Paul seemed rather distant and quiet, but Mike and Glen were open, chatty and friendly from the beginning. Nobody said it, but I assumed Glen was “in charge” as he visited my house in Finchley (north London) a couple of times to discuss their musical approach with me; it was always a real pleasure to sit and have a cuppa tea and a cozy chat with him. 

I was familiar with the Band’s recordings, and especially impressed that they had, two years before, made the music for (and even appeared in) Polanski’s “Macbeth.” While chatting on that subject, I asked Glen about the London premiere of the film - who was there, and how they dressed for the occasion. Were the Band expected to adhere to the usual tuxedo and black tie formula? 

Glen’s answer: “Yeah, man - would you believe they insisted we dress like that? So naturally I had to do something freaky as some sort of protest, right?” 

“Sure. What did you come up with?” 

“I dyed me hair bright green!” 

“Nice one, Glen! More tea?”

no©2017 Luca Chino Ferrari (unless you intend to make a profit. In which case, ask first)   

February 17, 2017

A suite for the third ear!

Listen to this album and decide by yourself. Often music magazines and journalists state a new group evokes the music of the Third Ear Band, but then when one listens to it the distance between the soundscapes is really huge.
Anyway we have here a new project titled "A la Face du Ciel!"  by an Algerian-Portuguese duo with some references to the "third ear" aestetics - sometimes you can catch some hints from "Macbeth"... and it can be interesting to know it.
This  below is a long review published by Web magazine "The Sound Projector" (http://www.thesoundprojector.com/2017/01/14/the-third-ear-band/ ):

"À La Face Du Ciel! (SHHPUMA SHH022CD / CLEAN FEED RECORDS) is a superb record of free improvisation and another very successful meeting between Jean-Marc Foussat, the Algerian synth player and electronic music maestro, and João Camões, the Portuguese viola player (also from Open Field Trio and Earnear). In June 2016 I raved about Bien Mental, an intense record they made with Claude Parle. À La Face Du Ciel is not as “wild” as that release, nor is it intended to be; “more intimate and introspective results” is how they would describe it, while what I’m feeling on today’s spin is a very heartfelt and rather melancholic range of emotions. Pain, anxiety, fears; many of the modern ailments facing contemporary man are dealt with through musical exploration, which is a very good and sincere way to do it. Please note I am not talking about “confrontational” music which we might get from the “industrial” musician type, one who wishes to bludgeon the listener until we’re the ones feeling the pain. Nor do I refer to the many synth drone players who find it all-too-easy to slip into tones that suggest “unease” and “disquiet”, mostly through lazy keyboard presets. Make no mistake, Foussat and Camões understand that their music is a language, not just an array of sounds, and what we hear on this record is a subtle, nuanced and very genuine articulation of that language.

The notes here point out, quite rightly, that the electronic music of Jean-Marc Foussat has very little to do with contemporary electronica or ambient genres, and has been forged in the heat of improvisations with a number of important avant-garde players since the early 1980s – not to mention his exposure to the genre through acting as sound recordist for many of Derek Bailey’s Company events. “Acting by impulse and always with new ideas” is the apt description given here of his responsive and highly creative approach to collaborative playing. Part of that process involves real-time processing of amplified signals from Camões’ viola, a strategy which takes this (classically-trained) musician somewhat out of his comfort zone, but it’s a bracing experience which he clearly relishes.

They’re able to sustain this high degree of focus and concentration for long periods, as these two tracks (22 mins and 23 mins) testify. Well, while the pair may occasionally tread water on ‘Mécanique Verte’ and lapse into quasi-classical viola phrases on top of electronic drone, it’s still an impressive blend of timbres and textures, packed with detail and very intimate sounds. The main event though is ‘Suite Pour La Troisième Oreille’, a powerful shape-shifting beast which never stays in one place and leads the listener through several genuinely surprising corridors of mental exploration – surely the definition of what “free music” should be doing to earn its keep. The “third eye” is a phrase which can be used as a metaphor for a form of spiritual awakening or discovery, and with the reference here to a “third ear” Foussat and Camões make good on their promise of enlightening the soul of the listener."

You can listen to this album at

no©2017 Luca Chino Ferrari (unless you intend to make a profit. In which case, ask first)   

February 04, 2017

Third Ear Band, an Italian phenomenon.

This is an old interview with Glen Sweeney (and Mick Carter) published on Italian magazine "Rockerilla" in March 1990. The interview (only in Italian, sorry!) was taken by Fernando Fanutti just before the gig Third Ear Band played in Florence at Auditorium Flog.
There are some interesting Glen's replies here, some clever ideas about music, life and technology I've included on the forthcoming tribute-book that will be published until Summer.

no©2017 Luca Ferrari (unless you intend to make a profit. In which case, ask first) 

January 20, 2017

BBC Radio 6 aired TEB's tracks from "Alchemy".

On December 14th, 2016 BBC Radio 6 Stuart Maconie played some TEB's tunes on his programme "Stuart Maconie's Freak Zone".

Here's the press release at http://www.bbc.co.uk/programmes/b084p0h5

“Stuart Maconie travels to the furthest flung corners of left-field music to create a playlist that makes you rock back on your heels with the sounds of newness and difference. Celebrating the best in psychedelia, adventurous electronica, avant-rock, cosmic creations, progressive, drone and general weirdness from across the decades. This week Stuart features Third Ear Band's 1969 album Alchemy which combines Eastern and Western chamber music traditions. Plus new music from Turner Prize Winner Martin Creed, a Toronto octet called Film In Music and five short miniatures from Euros Childs”. 

Tracks aired: "Ghetto  Raga", "Area Three", "Druid One" and "Stone  Circle".


no©2017 Luca Ferrari (unless you intend to make a profit. In which case, ask first)     

January 14, 2017

How Roberto Musci's "Mosaic" is going?

Asking Roberto Musci how his great tribute to the Third Ear Band is going, he replied me: "I haven't news about my record, but going around in the Internet I've read some good reviews on English and Japanese sites".
Here below there are some pages I've found:

http://www.blogfoolk.com/2016/12/roberto-musci-mosaic-tribute-to-third.html (in Italian)
http://www.waysidemusic.com/Music-Products/Third-Ear-Band-Roberto-Musci-Mosaic__25-USD-CD-HST411.aspx (in English)
http://www.thirdear.co.jp/SHOP/PYEUT008.html (in Japanese)
http://diskunion.net/progre/ct/detail/XATW-00140760 (In Japanese)

Roberto's tribute to Our Holy Band is one of the more intriguing and creative project I've ever listened to. Ghettoraga Archive is proud to have support this record since the very first stages of its creation process...

 no©2017 Luca Ferrari (unless you intend to make a profit. In which case, ask first)     

January 06, 2017

New book on Glen Sweeney almost ready!

Since the last October I'm editing with Carolyn Looker the book on Glen Sweeney's poems, lyrics, interviews, aphorisms, drawings, photos and the work is almost finished...A specific section wil have memories of Glen by some of his old friends and/or musicians who played with him as Dave Tomlin, Pete Brown, Paul Buckmaster, Lyn Dobson...

Carolyn has sent me lot of rare photos of Glen, taken in different moments of his life. One of them, in particular, shot in 1970, shows him and Carolyn with their close friend Celia Humphris, at the time singer of the fabulous Trees and wife of radio DJ Pete Drummond

Glen in Greece, 1978.

I'm very proud of this book, also because I've tried to collect all the main things written by (or about) Glen and it seems a very good tribute to his long unique career.
Also, I'm very glad the book will be printed by Gonzo Multimedia and all the design will be done by talent Martin Cook!

 no©2017 Luca Ferrari (unless you intend to make a profit. In which case, ask first)