EMBLEMA VIII Accipe Ovum & igneo percute gladio [take the egg and strike it with a fiery sword]
“Emblema VIII. Accipe ovum & igneo percute gladio. ‘Take the egg and strike it with a fiery sword.’ The egg is the Subject of the Art, which must be struck by the martial igneous agent wielding the ‘double-edged sword’ of the Secret Fire. Mars thus comes to the help of Vulcan, and from the ensuing darkness of Putrefaction (Nigredo) the hermetick chick will hatch. Raymund Lull, quoted here by Maier, stresses in several places that the fiery sword is a sharp lance, because Fire, like a lance, pierces bodies, rendering them porous and permeable, so that Water may penetrate them and turn their hardness into softness” (p98).
According to Luca Ferrari's excellent and detailed notes inside the booklet of the 50th Anniversary edition of "Alchemy", the iconic cover was taken from the book "Atalanta Fugiens" by Michael Maier (1568–1622), published by Johann Theodor de Bry in Oppenheim in 1617 (2nd edition 1618).
It consists of 50 chapters with engravings by Matthias Merian, a great artist rarely quoted. Alongside illustrations, poems, and alchemical explanations, it included 50 pieces of music in the form of "fugues" scored for 3 voices.
Being a fan of Early, Renaissance and Baroque music, I let my imagination fly: if Third Ear Band were around at the time, could their music be considered some kind of alternative "secret" sound to the more famous composers of the era? I suppose there's no answer to this question, but I think that it could definitely be interesting to hear what the original pieces from the book sounded like.
Among the countless transcriptions of the work you can listen to a nice vocal performance here below:
It is also worth noting that for many researchers and musicologists "Atalanta Fugiens" may be considered an early example of multimedia. Alessandro Monti :: unfolk
As announced, Esoteric Records will publish a new "Alchemy" 180 gram limited remastered vinyl edition on September 27th, 2019. It will cost £ 17.99.
Here's the press release:
• A NEWLY RE-MASTERED 180 GRAM VINYL GATEFOLD LP EDITION OF THIRD EAR BAND’S LEGENDARY 1969 DEBUT ALBUM
• NEWLY REMASTERED FROM THEORIGINAL HARVEST MASTER TAPES
• CUT AT ABBEY ROAD STUDIOS
Esoteric Recordings is proud to announce the release of a new 180
Gram limited edition gatefold Vinyl LP edition of the classic album
“Alchemy” by THIRD EAR BAND.
One of the first releases on EMI’s progressive rock label, Harvest in
July 1969, “Alchemy” was the debut album by THIRD EAR BAND. One of the
earliest signings to Harvest, the band was formed in 1968 around a
nucleus of GLEN SWEENEY (percussion), PAUL MINNS (Oboe), RICHARD COFF
(Violin, Viola) and MEL DAVIS (cello). Third Ear Band were unique in
their exploration of exotic baroque music fused with experimental rock.
Signing to Blackhill Enterprises in 1969, the quartet opened for many of
the legendary Hyde Park free concerts by Pink Floyd, The Rolling Stones
and Blind Faith.
Recorded at Abbey Road studios in the early months of 1969, “Alchemy”
is regarded as one of the most striking and original works of the era
with its unique gothic improvisational music and this new Esoteric
Recordings 180 gram vinyl edition is a faithful reproduction of the
original 1969 gatefold LP release. It has been re-mastered from the
original Harvest master tapes and has been cut at Abbey Road studios for
this definitive edition vinyl reissue.
Brian Sallerson is an American freelance journalist who's writing a story on the George Martin's Air Studios.
He e-mailed me: "I am a writer who is working on a book about the history of AIR Studios Montserrat. Denny Bridges was the operations manager for that studio when it opened in 1979. I am traveling to the UK in October and was trying to track him down to see if he might be open for an interview about his time at AIR Montserrat. I cannot find any contact info for Denny and your TEB site is the only place that has any recent correspondence with him. Is there any way that you could get a message to him for me? If you prefer, I could contact him directly if you provide an email address. Denny played a significant part of the launch of the studio so an interview with him would go a long way to help me get the full history of the studio. Any help you could give me would be greatly appreciated."
"Someone else who posted here said they've learntmore about TEB in a fewhours here than in 30 years. I'd agree with that except inmy case it would be 44 years. An excellent archive for TEB fans and historians of the era. Thank you!" RACHAEL TYRELL
A TEB BOOK...
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"ALCHEMY" REMASTERED EDITION OUT NOW!
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Third Ear Band 1969: Paul Minns, Glen Sweeney and Richard Coff (photo: Ray Stevenson).
Luca Chino Ferrari (b. 1963) is an Italian music writer. Since 1985 he has written and translated books about folk and rock musicians as Third Ear Band, Robyn Hitchcock, Captain Beefheart, Tim Buckley, Nick Drake, Syd Barrett & the Pink Floyd for the main Italian publishers. He met Syd Barrett in 1986 and did contribute to the reunion of the Third Ear Band during the '80s. His latest book, published in 2020 for English ReR November Books, is a biography about the esoteric group Third Ear Band. He runs a personal Web site (in Italian/English) at https://chino6339.wixsite.com/gelatoaicorvi
TEB recording at Abbey Road Sudios in February 1971
Click on the picture to watch the video!
"Third Ear Band music is a reflection of the universe as magic play illusion simply because it could not possibly be anything else. Words cannot describe this ecstatic dance of sound, or explain the alchemical repetiton seeking and sometimes finding archetypal formes, elements and rhythms...".
(Glen Sweeney on "Alchemy", Harvest Records 1969)
Paul Buckmaster at Hyde Park (June 7th, 1969).
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"ALCHEMY"
"Alchemy" (Harvest 1969)
Third Ear Band live at Hyde Park (June 7th,1969)
Click on the picture to watch the video!
Read "Necromancers of the drifting West"!!!
A book on the Third Ear Band edited by Luca Ferrari (published by Stampa Alternativa, Rome 1997). WITH THE FIRST ORIGINAL VERSION OF "ABELARD & HELOISE" SOUNDTRACK!
Third Ear Band at the Roundhouse (London, May 30th 1969).
As alike or unlike as blades of grass or clouds...
"The music is the music of the Druids, released from the unconscious by the alchemical process, orgasmic in its otherness, religious in its oneness communicating beauty and magic via abstract sounds whilst playing without ego enables the musicians to reach a trance-like stage, a "high" in which the music produces itself. Each piece is as alike or unalike as blades of grass or clouds".
(From the 1969 Isle of Wight concert programme)
TEB - "THE LOST BROADCASTS" DVD (Gonzo Multimedia, UK 2011)
Richard Coff at Isle of Wight Festival, August 1969 (photo: Barry Plummer).
Pseudo-mystical...
“The trouble is that you can't be mystical without being called pseudo-mystical, and it's the fault of our previous education. I'm at Glastonbury most of the time, but we're all completely honest about it. We'll even use it honestly to make money, because the ancient Egyptians who were into it all said that you had to be rich because only then can you resist temptation”.
(Glen Sweeney to Richard Williams, “Melody Maker” June 1970)
"Macbeth" by Roman Polanski (Playboy Production, UK 1971)
“I've always felt that music should be pure. If you have lyrics, you are preaching in a way. Somehow words are a block to communication. It's almost impossible for me to explain exactly how I feel about this, that's why I'm a musician. The only way to really understand what I mean, is to firstly listen to a pop group and then listen to us, and then I hope you will know what we're trying to say."
(Glen Sweeney to Muz Murray, 1969)
A Third Ear Band tribute
Roberto Musci - "Mosaic. A tribute to Third Ear Band" (CD - Gonzo Multimedia HST411, 2016)
TEB 1971: Sweeney, Minns, Bridges and Buckmaster (photo: Blackhill Enterprises).
NOTES FROM OVERGROUND
“No announcements, numbers lasting 15 to 20 minutes, art form or con?
This might be valid criticism of (A) Thunderstorm (B) a cricket (C) Third Ear Band.
Their approach to music is different because there is no duality, no conflict between the natural element of chance and the human element of control, did the moon ask to be reflected in the water? If it wasn’t for the trees would the wind know when it was blowing? Paul Minns says there are some very beautiful forests in Hyde Park, trying to put titles to music is rather like trying to answer the question where does my hand when it becomes my fist”.
(From the Al Stewart-Third Ear Band 1970 tour programme)
TEB 1970: Sweeney, Minns, Coff & Smith (photo: Blackhill Enterprises).
"The Centipede was happy, quite, until a Toad in fun said: "Pray, which leg goes after which?". This worked his mind to such a pitch, he lay distracted in a ditch considering how to run". (Third Ear Band, 1970)
TEB at Isle of Wight Festival, August 1969 (photo: Barry Plummer).
"Music from Macbeth" (Harvest 1972)
Third Ear Band - "Experiences" (Harvest 1976)
WEIRD SCENES
“We'd rather people called us a pop group. We do ragas, that aren't really ragas at all, and unless we get a turned on promoter, we get into some weird scenes. At Norwich once, when the promoter saw the audience sitting down and closing their eyes to our music, he accused us of putting them to sleep! Complete paranoia. So I imagine we wouldn't do too well on the Pop Proms”.
(Glen Sweeney interviewed by Chris Welch - “Melody Maker” July 12th, 1969)
Third Ear Band - "Fleance" (Odeon 1972) Japan single edition
Third Ear Band - "Live Ghosts" (Materiali Sonori 1988)
VERY MUCH UNDERGROUND
“It's just a question of advertising. We've stayed very much Underground - no photos - and I think this was necessary so people wouldn't put us in a bag. We'd rather the just came up and heard us without ANY preconceived ideas. I suppose it is a bit shattering to see violins and cellos”.
(Glen Sweeney interviewed by Chris Welch - “Melody Maker” July 12th, 1969)
Third Ear Band at a Druids ceremony in Glastonbury Tor (April 15th, 1970).
OTHER TEB RELEASES/APPEARANCES
"Picnic. A breath of fresh air" (2LPs - Harvest SHSS 1/2, UK 1970) various Harvest artists anthology
"Harvest Heritage. 20 Great" (LP - Harvest , UK 1977) various Harvest artists anthology
"The Harvest Story Vol. 1" (LP - Harvest EG 260097 1, UK 1984) various Harvest artists anthology
"All frontiers" (CD - Materiali Sonori MASO CD 90026, ITA 1991) various artists live compilation
"Sonora 2/91" (CD - Materiali Sonori, ITA 1991) various Materiali Sonori artists compilation
"Radio Session" (CD - Voiceprint VPR017, UK 1994) live album
"Materiali Sonori" (CD - Olis OM 0021, ITA 1996) various Materiali Sonori artists compilation
"Live" (CD - Voiceprint VP157CD, UK 1996) live album
Third Ear Band - "New Forecasts from the Third Ear Almanac" (ADN Records 1989)
90% improvisation...
"I'd say ninety per cent of our music is improvisation. It's not really Indian music, although we use a drone instead of the usual bass line riffs. The music draws from everywhere.
"I think our appeal is that audiences can draw their own thing from us. We make no announcements and none of the numbers have titles. People in colleges we play come up after and say they can get fantastic images in their mind when they listen. We can offer a complete dream. The old Celtic bards used to have the same ability".
(Glen Sweeney interviewed by Chris Welch - “Melody Maker” July 12th, 1969)
“Third Ear Band’s new album “Magic Music” isabout music as pure vibrations, as such it can be linked with colour because colour is vibration. It can even be linked to the music ofthe spheres which states that the vibrations of the planets can be heard with the third ear (silence). The free ragas that we play are modal, each note can be heard as a sound-colour that produces its own mood.Our rhythms come from all overthe world, and we use these ideasand many others to try to make a new world music”.
(Glen Sweeney, notes on the “Magic Music” inner cover, 1990)
SOLOS DISCOGRAPHIES
- GLEN SWEENEY -
Various Artists - "The greetings compact vol. 2" (CD - Materiali Sonori, 1990)
Rolling Stones - "Sticky fingers" (LP/CD - Rolling Stones Records, 1971)
Carly Simon - "Hotcakes" (LP/CD - Elektra, 1974)
Elton John - "Single man" (LP/CD - Rocket, 1978)
- NEIL BLACK (selection) -
UB40 - "Present Arms" (LP/CD - DEP, 1981)
Joan Armatrading - ""Track Record" (LP/CD - A&M, 1983)
Third Ear Band 1969: Minns, Sweeney and Coff at the Kensal Green Cemetery of London (photo: Ray Stevenson).
Third Ear Band - "Brain Waves" (Materiali Sonori 1993)
Eight drunk rugby players
"We once had eight drunk rugby players yelling dirty songs at us. We played quieter and quieter. In the end they seemed ashamed and shut up. But I still don't think they dug the music!".
(Glen Sweeney interviewed by Chris Welch - “Melody Maker” July 12th, 1969)
Third Ear Band, Vinci 1989: Allen, Sweeney, Dobson and Carter (photo: Lucia Baldini).
QUOTATIONS, COVERS, REMIXES, MANIPULATIONS OF THIRD EAR BAND MUSIC
Stone Breath - "A silver thread weave the seasons" (2CDs - Hand/Eye, USA 2008). A 'cover' of "Fleance".
Marco Lucchi - "Baby a" (ITA 1982). A composition with a sampler of "Stone Circle".
Radio Noisz Ensemble - "Yniverze" (CD - Garden of Delights 1982/2009). A 'folky' quotation of "Water".
Fabio Zuffanti - "Third Ear Band demixed" (CD-r - Spirals Records, ITA 2000). The four elements electronically manipulated.
Algarnas Tradgard - "Delayed" (CD - Silence Records, UK 2001). A quotations of "Water" recorded in 1973-1974 (!).
Lady Husk & The Good Ship Neotropic - "A monstrous psychedelic bubble exploding in your mind" (file MP3 - The New Worck, NL 2007). A remake of "No title" (?!).
I Monster - "The Art of Chill vol. 6 - Mixed by I Monster" (2CDs Platipus, UK 2009). A remix of "Fleance".
Vibes and Stuff - guest mix Coby Sey (MP3 - UK, 2010). A remix of "Water".
AA.VV. - "The Fruits de Mer Annual for 2011" (2x7" - Fruits de Mer Records, UK 2011). A cover of "Fleance" by the HI-Fiction Science.