Given the scale of the event – organised by Blackhill Enterprises and having gone down in rock history in a big way – there is no need to say any more.
October 09, 2026
New Musical Express in 1969 on the Hyde Park festival.
Given the scale of the event – organised by Blackhill Enterprises and having gone down in rock history in a big way – there is no need to say any more.
April 07, 2026
Behind the scenes of the creation of the cover for the Essen live album.
March 11, 2026
Tolkien, Muz Murray and the Third Ear Band in an interesting essay by philologist Monica Sanz.
In an interesting article entitled "Shadows of Middle-Earth: Tolkien in Subculture, Counterculture and Exploitation" written by Monica Sanz, a graduate in English Philology specialising in British Isles Literature, I was quoted for my old interview with Muz Murray (read here) about his magazine "Gandalf's Garden' and his relationship with the Third Ear Band.
![]() |
The seat of Gandalf's Garden in Chelsea (London), circa 1969. Photo: Colin Bord. |
Sanz, an expert on J.R.R. Tolkien, reflects in his essay on the influence exerted by the writer on contemporary culture. “Tolkien's works have inspired many artists,” he explains in the abstract of the essay, "who reflected their
![]() |
| Muz Murray and Jaya Amler (photo by Colin Bord). |
no©2026LucaChinoFerrari (unless you intend to make a profit. In which case, ask first).
March 04, 2026
American label published vinyl edition of the Elements album in August 2025.
In August 2025, the American label Antarctica Starts Here (San Francisco, California) released the remastered vinyl edition of Third Ear Band's second album (catalog number ASH 104) under license from Cherry Red Records. Following the release of “Alchemy” by Esoteric Recordings (2019) and “Music from Macbeth” by Spain's Munster Records (2020), the release of the Elements album completes the remastering of the Harvest catalog on vinyl, arriving just as long-playing records are enjoying a renaissance.
Comparing my original 1970 gatefold edition (SHSP 773) with this one, it must be said that the packaging of Antarctica Starts Here faithfully reproduces that of Harvest, but features a much thicker cardboard sleeve with bright, more contrasting colors. Inside, this new edition features brilliant black-and-white photo and drawings without (of course) the EMI-Harvest label and the catalog number.
On a colorful insert, brief notes by Dave Segal outline the band's history.
And how does the record sound?
Despite its decidedly dull label, the vinyl sounds really good, with brilliant dynamics, full-bodied sound, which, on my stereo system, make listening (especially at high volume) a unique, truly extraordinary experience that even shakes my conviction that “Alchemy” is my favourite album...
Distributed in regular record stores, it costs between 30 and 40 euros, and can be purchased on the label website (https://www.superiorviaduct.com/collections/catalogue/products/third-ear-band-s-t-lp) for 25 dollars.
no©2026LucaChinoFerrari (unless you intend to make a profit. In which case, ask first).
February 27, 2026
Penny Valentine interviewed Paul Buckmaster for Sounds in May 1971.
Every time I discover an old interview with Paul Buckmaster somewhere I'm glad to share it with all the TEB fans because Paul was a clever, smart guy, an extremely talented musician, a genius of creativity... and it always a gift to read his thoughts on paper.
Here we have an interview with Penny Valentine, published in Sounds on 29 May 1971, during a very creative period of his burgeoning career: although he was only 26, he had already produced some of Elton John's albums, arranged the score for Lewis Gilbert's film "Friends" (music by Elton John and lyrics by Bernie Taupin), arranged two tracks for the Rolling Stones' "Sticky Fingers", arranged David Bowie's masterpiece "Space Oddity" ...
no©2026LucaChinoFerrari (unless you intend to make a profit. In which case, ask first).
February 22, 2026
A rare interview with Ursula Smith and Richard Coff in 1970 after their departure from the TEB.
Here is a rare interview with Ursula Smith and Richard Coff conducted by Steve Peacock and published by Sounds on October 17, 1970, just immediately following their departure from the Third Ear Band to form the duo COMIC OVERDOSE (according to other sources, COSMIC OVERDOSE).
It's an interesting and exclusive overview of the duo's artistic project, which nevertheless failed shortly afterwards due to its naive approach. In fact, as Ursula recalled in the interview she gave me in 2001 (read here),
"Richard
and I did some rehearsing and got some ideas together. Richard rang
the "Melody Maker" music paper and got an interview, but we had not
got equipment or management or agency.
We
were busking near Speaker's Corner Hyde Park when this South African
guy came up to chat to us, and said he knew a guy who ran an equipment
shop and he could get us some equipment there.
"We
went to the shop and Richard spoke to the manager who told us that
this person was an intelligence agent for the South African government
and that we should be very wary of him.
After that Richard rejoined the Third Ear Band and so did Paul Buckmaster. Soon after that the Third Ear Band got signed for doing the music for Polanski’s "Macbeth"...".
Thanks to Italian fan Gianpaolo Banelli for finding the article and to my friend Mirco Delfino (Third Ear Band Facebook page) for bringing it to my attention.
no©2026LucaChinoFerrari (unless you intend to make a profit. In which case, ask first).
December 27, 2025
Was TEB music truly inspired by Terry Riley?
When analyzing the musical form of a band, the question of sources of inspiration, if not actual influences, is fundamental in order to even begin to understand it.
We have often discussed the sources that inspired the music of the Third Ear Band, and this archive is proof of that. By the musicians' own admission, Indian music, Vaughan Williams' pastoral compositions (which undoubtedly inspired Dave Tomlin in the composition of “Lark's Rise”), the works of modern classic musicians as Stravinsky or Penderecki, and the aleatoric music of John Cage were undoubtedly the basis of TEB musicians.
Wim Mertens, a Belgian composer, musicologist and pianist also known as Soft Verdict, in his fine 1983 essay dedicated to American Minimalism (“American Minimal Music,” published by Kahn and Averill) adds Terry Riley to the pantheon of composers who influenced TEB. He wrote:
"Riley’s music has influenced a number of American and European avant-garde composers and many jazz and pop musicians. The Soft Machine’s Moon in June is a clear example of this — in fact, the cofounder of this group, David Allen, was a good friend of Riley’s. The English group Third Ear Band also show their debt to Riley in their use of modal patterns on the principle of periodic progression."
Do you think this assertion has any basis?
From a historiographical point of view, I don't recall any admissions in this regard by members of the group, while in Paul Minns' memoirs, which I first published in my short essay “Necromancers of the Drifting West” in 1996, the vaste references include classical modern musicians as Stravinski, Malipiero, Ives and jazz giants as Miles Davis, Dolphy, Coltrane, Pharoah Sanders, Yusef Lateef; but, most of all, Indian players as Dr. Jog, Bismillah Khan, sitarist Vilyat Khan and sarod master Sharon Rani.
In the same essay, guitar player Mick Carter, analyzing the structure of the tunes, refers exclusively to Indian modal music and the different modes/scales that inspired the last compositions of the 1980s and 1990s.
There is no denying that Terry Riley has been a major influence on the music scene since the second half of the 1960s, especially thanks to his wonderful works “A Rainbow In Curved Air” (1968) and “In C” (1969), but, as far as I can tell, there is no evidence that it was a conscious source of inspiration for the TEB.
It seems to me that also Riley was influenced by Indian music, which plays a decisive role in the syncretism of TEB's work.
no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first).
December 13, 2025
Another unexpected discovery: a Third Ear Band's radio session in 1970!
Here is another miraculous discovery from the web, a new live radio set by TEB from February 15, 1970, taken from a John Peel's Sunday Show that seemed lost forever.
The episode (approximately 40 minutes long) featured performances by the Third Ear Band and the Edgar Broughton Band, both on the Blackhill and Harvest Records roster, who often performed together live.
The TEB played only two tracks: "Mosaic," from the first album, and "Water" (here, unfortunately, incomplete), from the (forthcoming) second one, wrongly announced by Peel as "The Sea," displaying, as I have written countless times, a prodigious interplay.
It's interesting to note that, compared to the version later released on the second album, "Water" has a darker, more sinister feel, as if a threat were looming.
Detailed information about the track list for the episode, which was rebroadcast in September 6, 1970, can be found at https://peel.fandom.com/wiki/15_February_1970
no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first).
October 12, 2025
Viv Albertine remembers first time she saw the Third Ear Band.
Viv Albertine, singer, guitar player, founder of seminal female punk band The Slits (1977-1982), in 2014 published an autobiography titled "Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys" where, at page 41, quite surprisingly, she writes a short memory on the Third Ear Band...
Would she be pleased today to know that a woman also played at the Queen Elizabeth Hall... Ursula Smith?
October 05, 2025
Bernard Parmegiani's "Pop Secret" on album.
On "Melody Maker" (July 4th, 1970), Chris Charlesworth wrote about the event: "The hall was barely half full. Accompained at times by electronic machines making weird sounds Third Ear Band droned through two lenghty pieces which were well accepted by their fans. Their music has no title and is 90 per cent improvisation. It just starts and finishes when the band feel like it. There's a vague anonymity about their music. However violinist Richard Coff, who hate make announcements, did mention that one piece was called "Freak Dance". This contained some haunting oboe work from Paul Minns, and I rather enjoied it. Their second piece was more ambitious and, I thought, less enjoyable. At one stage I actually saw Richard tapping his foot!".
September 27, 2025
The lost Third Ear Band's 1970 John Peel Session found!
In 2012 I did some research for this Archive to find out which Third Ear Band radio sessions were still in the BBC vaults. I asked archive manager Simon Gurney, who said that "the man in charge of the Transcription Discs here had checked and can confirm that none exist with the Third Ear Band. You can safely say you have exhausted your search in this regard".
From a historiographical point of view, the band here is in a state of grace, shortly before the "Sun Wheel Ceremony" at the Royal Festival Hall (24 June) and the recording of "Abelard & Heloise" soundtrack (2 and 3 July). The quartet has been playing together for months and has recently recorded its second album that will be published in those days, despite the fact at the beginning of July Ursula Smith and Richard Coff will leave the group to try their luck in a short-lived duo.
But...
Even more unusual is the following track, “Feel Your Head”, a ballad in the style of pop psychedelic Donovan (“Season of the Witch”...?) with acoustic guitar and flute...! Who is singing, actually? Al Stewart, Donovan...? The voice cannot be Glen's or Ursula's. Paul wouldn't have sung even at his own wedding... Coff? Almost certainly, he's the only suspect!
But who wrote the lyrics? Why did Glen never mention it in our many conversations?
Honestly, if it weren't for the beautiful following track, one of the most played ragas in those months ("Hyde Park Raga"), this radio performance would be rather frustrating.
In my opinion, it's fortunate that the band's management, which would soon record the "lost third album" and the "Macbeth" soundtrack, did not embrace the country or psychedelic pop impulses of the two rarities. What if one of the reasons for Smith and Coff's split was precisely their disagreement over the musical direction to take?
All in all, an intriguing find, but controversial to say the least.
September 10, 2025
What kind of amplification is used by the Third Ear Band?
Reader Jack Bancroft from Ealing (UK), asked Melody Maker expert Chris Hayes on 7th February, 1970 issue.
Here below the reply:
no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first).
May 26, 2025
Violinist Simon House passed away yesterday at 76.
Bad news for all of us!
Great violin and keyboard player Simon House, a true giant of the underground, old collaborator of the Third Ear Band (1971-1974), passed away yesterday at 76 (the bad news HERE and HERE or HERE).
A founder with guitarist Tony Hill and bass player Peter Pavli of the seminal band High Tide at the end of Sixties, he was a permanent member of the Hawkwind, between 1974 and 1978, playing with David Bowie on his albums "Stage" (1978) and "Lodger" (1979).
Apart two solo albums (1994 and 2000), one with Rod Goodway (2002), and two with Spiral Realms (2004 and 2005), he worked with a lot of musicians including Robert Calvert, Japan, David Sylvian, Thomas Dolby, Mike Olfield, Judy Dyble, Nik Turner, Adrian Shaw, Nektar, Spirits Burning, Magic Muscle...
Through Glen Sweeney, I met him two times in London, where he lived, and he seemed to me a shy and reserved person, interested only in playing music and refractory to any self-indulgence and protagonism typical of the rock environment.
We later did an interview by phone, but he was very tight-lipped and not very willing to recall the past.... You can read it here:
https://ghettoraga.blogspot.com/2010/01/brief-phone-conversation-with-simon.html
Other files in this Archive related to Simon House:
https://ghettoraga.blogspot.com/2012/03/italians-like-weird-stuff-old-interview.html
https://ghettoraga.blogspot.com/2020/09/extraordinarly-amazing-teb-tv.html
https://ghettoraga.blogspot.com/2024/11/four-rare-1972-photos-of-simon-house-on.html
https://ghettoraga.blogspot.com/2019/10/peter-pavli-interviewed-on-its.html
Simon House performing live with DanMingo at DAYUM Club, London, December 2005.
no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)
April 25, 2025
Some memories about Anacondas Skiffle Group by Steve Pank.
Steve Pank, Third Ear Band's former manager and driver, close friend of Glen Sweeney, Carolyn Looker, and Dave Tomlin, Ursula Smith's husband as well, kindly sent me these memories about the Anacondas Skiffle Group era...
"Putting ‘Anacondas skiffle’ into google, I came across an amazing collection of press cuttings about the Anacondas skiffle group, and about the skiffle craze triggered by Lonnie Donegan. Glen Sweeney was a member of Anacondas and he was seen as the ace washboard player of the Croydon area, his first experience of stardom. I remember when I took Glen to see his mother, and he was telling her about the success of the Third Ear Band, and she replied ‘Is this like when you won the Tommy Steele Cup?' I knew that he had played in a skiffle group, the name ‘Anacondas’ was chosen to match the ‘Vipers’ group who had a hit single with ‘Freight Train’.
Skiffle was originally a traditional music that was played in Louisiana and along the Mississippi, using domestic instruments like washboards and jugs. When Trumpet player Ken Colyer returned from New Orleans, and joined the Chris Barber jazz band, he brought the idea of skiffle with him. On Barber’s first LP, guitar player Lonnie Donegan recorded the Leadbelly song ‘Rock Island Line’, backed jazz singer Beryl Bryden playing washboard and Chris Barber on double bass. The washboard was a corrugated plate of metal that was played wearing thimbles on the fingers. When issued as a single, Rock Island Line became big success in Britain and America and it launched the skiffle craze. Sales of acoustic guitars skyrocketed, and tea chests, rectangular plywood boxes, that were used for importing tea and were only used once, could be utilised as bass instruments. All of those in the later British Rock movement of the ‘60s had been influenced in some way or another by skiffle.
When Lonnie Donegan played three nights in Liverpool, George Harrison went there every night. Paul MaCartney first met John Lennon at a fete/garden party at Peter’s Church in Woolton Liverpool where John was playing with his skiffle group, The Quarrymen. Ringo Starr also played in a skiffle group. He said his first experience of playing music on a snare drum was with a friend on a tea chest bass. Newspaper research showed that at its peak, there were 5000 skiffle groups in Britain. Between 1956 and 1963 Lonnie Donegan had 31 top 30 singles and three were number ones.
On June22nd 1957 in Croydon Civic Hall, in front of 800 fans, and out of 12 contesting groups, The Anacondas won the skiffle contest and were awarded the Tommy Steel Cup. In order to choose the winner, the organisers use a ‘clapometer’ to measure the level of applause! The Anacondas also played in jazz clubs alongside bands like Mike Daniels Delta Jazzmen. They were a large group, with eight members. I remember Glen telling me that he had an influence in the group because he was that bit older than the other members.
I still meet people who tell me that their first experience of playing music was with a skiffle group. The first record I ever bought was ‘The Rock Island line’."
Read my researches on the Anacondas here:
https://ghettoraga.blogspot.com/2023/10/the-anacondas-skiffle-group-stone-age.html (part 1)
https://ghettoraga.blogspot.com/2023/10/the-anacondas-skiffle-group-story-some.html (part 2)
https://ghettoraga.blogspot.com/2023/11/the-anacondas-skiffle-group-story-end.html (part 3)
no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)
February 22, 2025
Italian singer and musician Jenny Sorrenti quotes the Third Ear Band in an interview on Rolling Stones Italian edition.
![]() |
| Jenny Sorrenti, photo by Francesco Desmaele |
Titled "Voice is consciousness", in the last issue of Rolling Stone Italian edition, is a long and interesting interview by Fabio Zuffanti with Italian singer and musician JENNY SORRENTI where she quotes the Third Ear Band as one of her first source of inspiration.
"First woman in Italy to do prog at a certain level with Saint Just, the only female voice of Neapolitan Power and yes, also Alan's sister. She was part of the RCA tour, but the discography was too narrow for her. An interview with a cult musician who came to electronic music with the project Néos Saint Just."
You can read the interview here: https://www.rollingstone.it/musica/interviste-musica/jenny-sorrenti-la-voce-e-consapevolezza/967362/
no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)
February 14, 2025
Dave Tomlin' son sent to The Guardian an obituary about his great dad.
Tom Hennessey, one of the three children of Dave Tomlin, sent to the Guardian a obituary about his great dad. You can read the original Web page at this link: https://www.theguardian.com/theguardian/2025/feb/13/dave-tomlin-obituary
Dave Tomlin obituary
"My dad, Dave Tomlin, who has died aged 90, was a musician, writer and figure of the British counterculture underground from the 1960s.
In 1976, he was one of those who took over the unoccupied former Cambodian embassy in London and established a community of artists, musicians, poets, artisans and radical metaphysicians who called themselves the Guild of Transcultural Studies.
Over the years, the guild became established as an opulent venue for musical and cultural events, hosting refugees from as far afield as Chile and China and holding concerts by musicians from Morocco and India, with attenders often having no idea that their elegant surroundings were a squat. A long-running court case finally forced the guild to close its doors after 15 years in 1991, ending Dave’s dream of handing the building back to a new Cambodian government.
Born in Plaistow, east London (then in Essex), to Stan Tomlin, a packing-case maker, and Louisa (nee Goodsell), Dave escaped a future in factory work by joining the King’s Guard, where he learned the bugle to accompany the changing of the guard at Buckingham Palace. This was the beginning of a life of music. He became a jazz musician in the 1950s, playing clarinet and saxophone in Bob Wallis’s Storyville Jazz Band and touring with Sister Rosetta Tharpe.
In the late 1960s he joined the hippy movement, travelling nomadically around the countryside in a horse and cart, playing in experimental folk groups, including the Third Ear Band, and performing at the UFO Club in London, where he would go on at 4am: “Only when the dancers are completely exhausted will they be in a fit state to hear what we have for them."
He became part of the London Free School in Notting Hill, a centre of radical adult education, where he taught free-form jazz. While there, Dave led annual musical processions down Portobello Road that would develop with other events into the Notting Hill carnival.
Other adventures included becoming stranded, penniless, on the island of Fernando Po (now Bioko) in Equatorial Guinea and gaining passage back by pretending, unconvincingly, to be an experienced cook and deckhand. He supported his frugal lifestyle with gardening and working as a handyman.
In his later years, Dave spent his time writing about his experiences (Tales From the Embassy was published in 2017), practising Chinese brush painting and learning to recite the alphabet backwards.
He is survived by three children from different relationships – Lee, Maya and me – and by his brother, Tony."
Very kindly, Tom wrote me: "I could not hope to do justice to him in the limited space available but I think it gives a good flavour of who he was.
I am very grateful to you for your friendship with Dave, it was greatly appreciated by him. He mentioned you to me a number of times. Also for your tributes to him on your blog (which was helpful to me in writing this obituary!).
We are hoping to have an event in London to remember him and we will let you know in case you are able to make the journey.
Best wishes,
Tom"
no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)
January 30, 2025
"Druid One" album review by Italian musician and writer Alessandro Monti.
January 15, 2025
Third Ear Band music on Italian national radio.
Just yesterday night, on the third channel of Italian national radio RAI (the programme was called "6 Gradi", six grades) Third Ear Band's "Mosaic" was played.
https://www.raiplaysound.it/audio/2025/01/Sei-gradi-del-14012025-d96e76c3-7cc7-4888-a679-fcec93ead389.html
no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)
January 01, 2025
A book by Steve Pank available in Amazon.
A book written by STEVE PANK titled "Hole in the Moon" is available on Amazon in paperback and Kindle Edition formats (go here). Presenting it, Steve wrote: "The United States is planning to land astronauts on the moon again in the next five years. What will happen when they do? Is it possible that they will find something unexpected?
In this book, Hole in the Moon, they do. They find that extraterrestrials are already living there. So were this to happen, how should this be coped with this in real life? This story gives one possible answer.
Anyone who is interested in whether space people exist, and if they do, how the human race could best cope with this; should read this book."
Steve was the former manager and driver man of the Third Ear Band in 1969-1970; a Glen Sweeney, Carolyn Looker, and Dave Tomlin's close friend; an expert of alternative sciences, and a eyewitness to the Sixties underground scene in London.
Steve Pank in this archive (selection):
https://ghettoraga.blogspot.com/2011/01/new-letter-from-steve-pank-original.html
https://ghettoraga.blogspot.com/2011/04/new-letter-from-steve-pank.html
https://ghettoraga.blogspot.com/2010/06/steve-pank-about-origins-of-third-ear.html
https://ghettoraga.blogspot.com/2019/02/steve-pank-about-alchemy-days.html
https://ghettoraga.blogspot.com/2022/12/steve-pank-tells-glen-sweeneys.html
https://ghettoraga.blogspot.com/2017/09/steve-panks-electric-universe-theory.html
https://ghettoraga.blogspot.com/2018/05/ursula-smith-concert-at-bourgh-house.html
https://ghettoraga.blogspot.com/2024/08/remembering-glen-sweeney-19-years-ago.html
no©2025 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)





































