Showing posts with label High Tide. Show all posts
Showing posts with label High Tide. Show all posts

May 27, 2025

Goldmine's obituary on Simon House.

I want to bring to your attention a very good and touching obituary about Simon House published in the last hours on the Web.

It was written by journalist Dave Thompson for Goldmine and it is available here: 

https://www.goldminemag.com/obituaries-news/simon-house-born-august-29-1948-died-may-25-2025



Thompson writes: "Depending upon which side of the rock spectrum you stand, Simon House's name usually invokes one of two memories — the majesty with which he has graced some of the greatest Hawkwind albums, or the haunting violin which dominated his time with David Bowie.


But House's own career reaches way beyond either of those two highs. As a prodigiously gifted teen, he was a member of High Tide, one of the most creative, if sadly unsung, bands to emerge from the post-psychedelic Sixties."

Hawkwind, May 1974. Left to right: keyboard player Simon House, guitarist Dave Brock, keyboard player Del Dettmar, bassist Lemmy, drummer Simon King and saxophonist Nik Turner. 


"He was thus present at the birth of Hawkwind — staged on House’s twenty-first birthday, Group X’s All Saints Church Hall show saw them opening for High Tide (The two bands would also share the same management company, Clearwater Productions)."

After summarising House's long, glorious musical career, Thompson concludes the piece by quoting the words of Brian Perera, whose Cleopatra Records released several of House’s later recordings:

"It’s with heavy hearts that we say goodbye to our dear friend and brilliant collaborator. Simon wasn’t just a musician — he was a sonic architect who helped shape the sound of a generation.
He shared the stage with legends: David Bowie, Lemmy-era Hawkwind, and Nik Turner, always leaving his unmistakable mark. From the art-rock brilliance of Bowie’s “Boys Keep Swinging” era to the boundary-pushing tours with Nik and Cleopatra in the ’90s, Simon’s electrifying violin and cosmic keyboard work lifted every track, every show, every moment.
His vision brought depth, texture, and soul — he simply made everything better.

We miss you deeply, Simon.
Rest easy, my friend. Your sound lives on."


no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first).

May 26, 2025

Violinist Simon House passed away yesterday at 76.

Bad news for all of us!

Great violin and keyboard player Simon House, a true giant of the underground, old collaborator of the Third Ear Band (1971-1974), passed away yesterday at 76 (the bad news HERE and HERE or HERE).

A founder with guitarist Tony Hill and bass player Peter Pavli of the seminal band High Tide at the end of Sixties, he was a permanent member of the Hawkwind, between 1974 and 1978, playing with David Bowie on his albums "Stage" (1978) and "Lodger" (1979). 

Apart two solo albums (1994 and 2000), one with Rod Goodway (2002), and two with Spiral Realms (2004 and 2005), he worked with a lot of musicians including  Robert Calvert, Japan, David Sylvian, Thomas Dolby, Mike Olfield, Judy Dyble, Nik Turner, Adrian Shaw, Nektar, Spirits Burning, Magic Muscle...

Through Glen Sweeney, I met him two times in London, where he lived, and he seemed to me a shy and reserved person, interested only in playing music and refractory to any self-indulgence and protagonism typical of the rock environment. 

We later did an interview by phone, but he was very tight-lipped and not very willing to recall the past.... You can read it here:

https://ghettoraga.blogspot.com/2010/01/brief-phone-conversation-with-simon.html

 

Other files in this Archive related to Simon House:

https://ghettoraga.blogspot.com/2012/03/italians-like-weird-stuff-old-interview.html

https://ghettoraga.blogspot.com/2020/09/extraordinarly-amazing-teb-tv.html

https://ghettoraga.blogspot.com/2024/11/four-rare-1972-photos-of-simon-house-on.html

https://ghettoraga.blogspot.com/2019/10/peter-pavli-interviewed-on-its.html

 

   Simon House performing live with DanMingo at DAYUM Club, London, December 2005.

 no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

November 09, 2024

Dave Tomlin, a giant of British counterculture.


From the video interview "Radical Elders" (2019).

Multi-instrumentalist, lyricist, writer and poet, David John Tomlin (1934-2024) was a seminal figure of the British underground. A founder of Giant Sun Trolley with Glen Sweeney in 1967, a collaborator with the Third Ear Band on “Alchemy” (1969), he was a cultural and political agitator since the second half of the 1960s, after a militancy in trad jazz from the late 1950s with Bob Wallis' band. From 1976 to 1991 he directed a commune experience in the occupied Cambodian Embassy in London, rejuvenating the countercultural model of the legendary London Free University of the 60s (from where Syd Barrett's Pink Floyd, for example, became known). 

Dave Tomlin (right) with Joe Gannon (left) announcing the Notting Hill Carnival, 1966.

From the early 1990s he began a prolific writing activity, mainly in the online pages of the reborn International Times (read here), publishing several books of an autobiographical nature (e.g., on his experiences in India or chronicling his years at the occupied embassy), poetic, non-fiction with strong political and social characterization (such as the essay "Power Lines").

He acquainted me with the dramatic story of Mike Taylor, helping me with research (with his brother Tony) and the writing of his biography, with suggestions and revision of the text. In 2020 he collaborated on the book I wrote about Glen and the Third Ear Band by sending his memories and giving me this unpublished poem of his from 1967, I decided to use as the epigraph of the book:

"The Giant Sun Trolley is coming

League transversing it globally encircuits

Beneath the eversun  

Where lances of pain

Become rays of warmth

Emanating mindwards and on

Till, reaching the epiphany

Of space and time 

Flash in ozonic  splendour

For Cosmic Man."

A true giant of the British counterculture and underground. Intelligent, sharp, witty, always on the right side of those who claim, especially today, the right to a better world.

From the video interview "Radical Elders" (2019).
 

Since very little can be found about him on the internet, I repost here, updated, Dave's bibliography and discography already posted on this archive, willing to supplement or modify it if suggestions are received from you readers.

 

DISCOGRAPHY

. Mike Taylor Quartet – “Pendulum” (LP - Columbia SX6042, UK 1965) Recorded at Lansdowne Studios, London, October 1965. Dave plays soprano saxophone. A 2007 CD reissue by Sunbeam Records also exist, but now very rare.

. Third Ear Band – “Alchemy” (LP/CD – Harvest Records, UK 1969) Recorded at EMI Studios in 1969. Dave plays violin in one track composed by him, “Lark Rise”.

. Hazchem - "Strange Attractor" (CD – Worldwide Records SPM-WWR-CD-0011 7703, 1990) Dave plays violin, keyboards and bass on three tracks, co-composing six tracks of the album and all the lyrics.

. High Tide – “Ancient Gates” (CD - World Wide Records SPM-WWR-CD-0007, Germany 1990) Dave plays violin and keyboard on all the six album tracks.

. Hazchem – “Star Map Excursion” (CD - World Wide Records, Germany 1991) Dave composed two tracks for the album.

. Third Ear Band – “The Magus” (CD – Angel Air Records SJPCD173, UK 2004) Recorded in 1972. Dave plays bass guitar. He writes also the liner notes. A limited edition of 500 copies of 180 gr. vinyl was published in 2019 by Tiger Bay.

 . The Bob Wallis & His New Storyville Jazzmen - (CD – GHB BCD-262, 2006) Dave plays clarinet on three tracks recorded in London, 1959.

 . The Bob Wallis & His New Storyville Jazzmen - "Vintage" (CD – Lake Records LACD280, 2010) Dave plays clarinet on some tracks recorded in London, in the Fifties.

 . Various Artists – “Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz 1960-1975” (CD – Reel Recordings RR026, UK 2012) Dave plays tenor saxophone on one track, “Phrygie”, recorded at Herne Bay Jazz Club in 1961 by the Mike Taylor Quintet.

. Mike Taylor Quartet – “Mandala” (CD/LP – Jazz in Britan, UK 2021) Limited to 500 copies worldwide. Recorded live by Jon Hiseman on 8th January 1965 at the Studio Club, Westcliff-On-Sea, Southend (UK). Dave plays soprano saxophone.

. Mike Taylor Quartet – “Preparation” (CD/LP – Sunbeam Records, UK 2021) Recorded at 19 The Common, Ealing (Mike Taylor’s home) in September 1965. Dave plays soprano saxophone.

 

BIBLIOGRAPHY

"Tales from the Embassy" vol. 1 (Iconoclast Press, London 2002)

"Bluebirds" (Iconoclast Press, London 2004)

"Howling at the Moon" (Iconoclast Press, London 2004)

"India Song" (Iconoclast Press, London 2005)

"Tales from the Embassy" vol. 2 (Iconoclast Press, London 2006)

"The Collected Mister" (Iconoclast Press, London 2006)

"Into the Holy Land" (Iconoclast Press, London 2007) with Tony Jackson

"Tales from the Embassy" vol. 3 (Iconoclast Press, London 2008)

"A Hole in the Wind" (Iconoclast Press, London 2008)

"Harry Fainlight. From the notebooks. Posthumous pieces" (Iconoclast Press, London 2008) 

"Harry Fainlight. Fragments of a lost voice" (Iconoclast Press, London 2008) 

"Power Lines" (Iconoclast Press, UK 2012)

Dave in 1967.

no©2024 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

October 28, 2019

Peter Pavli interviewed on "It's Psychedelic Baby" magazine.


High Tide bass player PETER PAVLI had a very intriguing interview with Klemen Breznikar for "It's Psychedelic Baby" magazine. You can read the full interview  at https://www.psychedelicbabymag.com/2019/10/high-tide-interview.html

Peter Pavli at 20
As everyone knows, after a very fertile period with the High Tide (two great records in 1969 and 1970!), with violin player Simon House Pavli played for some months with the Third Ear Band, around the end 1971-beginning 1972 (he played on a documented BBC radio programme in January 1972).
On the interview, he quoted "our" band telling that after the High Tide split, "we all went back to London and went our separate ways. Later Simon joined the Third Ear Band, which I also joined. That lasted for about a year. It was a very vague, period for us all. I think that was the last serious band I was in."
  
High Tide
 no©2019 Luca Chino Ferrari (unless you intend to make a profit. In which case, ask first)