Showing posts with label M.I.G. Music. Show all posts
Showing posts with label M.I.G. Music. Show all posts

September 27, 2025

The lost Third Ear Band's 1970 John Peel Session found!


Last June, the excellent YouTube channel FoundTapesLost (https://www.youtube.com/@FoundTapesFound) released this rare find, which had been hidden away in the folds of time and destined for oblivion. It is the third live session that TEB played on John Peel's famous radio programme Top Gear.




When I had the opportunity to collaborate with Esoteric on the compilation of "Elements 1970-1971", the 3CDs box that collected “all” the recordings related to the band's second album, this radio session was unavailable because, I was assured, it had been deleted. Indeed, judging by the comments on the YouTube video, it's an off-air recording contained on a reel and “cleaned up” for the occasion:


“Third Ear Band's lost 3rd Peel Session from 1970. Recorded 8th June 1970. This off-air recording comes from a recently unearthed reel to reel tape of the broadcast on 20 June 1970.
Digitised by Tim on the Peel Group
Recorded at The Playhouse Theatre, Northumberland Avenue, London
Produced by John Walters

00:00 Downbone Raga
04:08 Feel Your Head
11:06 Hyde Park Raga

Glen Sweeney: Drums
Richard Coff: Violin
Paul Minns: Oboe
Ursula Smith: Cello & Violin”
 

In 2012 I did some research for this Archive to find out which Third Ear Band radio sessions were still in the BBC vaults. I asked archive manager Simon Gurney, who said that "the man in charge of the Transcription Discs here had checked and can confirm that none exist with the Third Ear Band. You can safely say you have exhausted your search in this regard".

From a historiographical point of view, the band here is in a state of grace, shortly before the "Sun Wheel Ceremony" at the Royal Festival Hall (24 June) and the recording of "Abelard & Heloise" soundtrack (2 and 3 July). The quartet has been playing together for months and has recently recorded its second album that will be published in those days, despite the fact at the beginning of July Ursula Smith and Richard Coff will leave the group to try their luck in a short-lived duo.


Anyone with sensitivity and a minimum of listening experience will have no doubt in establishing that we are dealing with an exceptional document in terms of quality of execution, intensity (the authenticity, the truth of the performance), repertoire (two previously unreleased tracks, which for us TEB fans are legendary!).

But...

"Downbone Raga", which sees Minns' opening oboe part reprise the theme of traditional "Oh Susannah" (!) almost verbatim, is an unusual short instrumental, with a predominantly country style (because of Coff's violin).

Even more unusual is the following track, “Feel Your Head”, a ballad in the style of pop psychedelic Donovan (“Season of the Witch”...?) with acoustic guitar and flute...! Who is singing, actually? Al Stewart, Donovan...? The voice cannot be Glen's or Ursula's. Paul wouldn't have sung even at his own wedding... Coff? Almost certainly, he's the only suspect!

But who wrote the lyrics? Why did Glen never mention it in our many conversations?

Honestly, if it weren't for the beautiful following track, one of the most played ragas in those months ("Hyde Park Raga"), this radio performance would be rather frustrating.

In my opinion, it's fortunate that the band's management, which would soon record the "lost third album" and the "Macbeth" soundtrack, did not embrace the country or psychedelic pop impulses of the two rarities. What if one of the reasons for Smith and Coff's split was precisely their disagreement over the musical direction to take?

All in all, an intriguing find, but controversial to say the least.
 
no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first).

January 30, 2025

"Druid One" album review by Italian musician and writer Alessandro Monti.


Here's a brilliant review on "Druid One - Live at Essen Pop and Blues Festival 1970" by my friend Italian musician and music writer ALESSANDRO MONTI (https://unfolkam.wordpress.com/a very big fan and expert of Our Holy Band.




"Where do we come from? 
All we know is that we are born on this planet, we live, we walk, we play, we work and then we leave leaving traces of our passage without knowing what will happen to those traces, and without paying the slightest attention to who will follow or collect them.

I have often asked myself these questions while listening to magnificent recordings like this one, in which half the members of the group are now elsewhere, entities of pure spirit beyond this material world without knowing that their improvised music was so intense as to take root in the planet and be rediscovered at unthinkable moments... or maybe they knew? 

Curious to think that the other half of the group continues to make music: a classical cellist and a violin teacher disinterested in his past: that's life. But to many of us this music still communicates a unique and unrepeatable emotion, a ritual that is renewed with every listen as if it did not belong to any era... perhaps because it belongs to ALL eras? 

The answer blows in the wind with this music taken from a concert in 1970, recorded impeccably by German radio at the time of the second album based on the four elements, it is no coincidence that two of them appear: water at the beginning and at the end, after an alchemical sonic journey, the dance of the earth. 

There was a time when we literally had to work miracles to find live recordings of our favorite bands, then the doors of the cosmic archives opened and we listened to all sorts of things. Today the release of a new TEB album seems almost normal, in reality all this is miraculous, especially if we think about the time spent on the dusty shelves of some archives. The music speaks for itself and no comment (let alone "critical") could add something sensible... just a few technical aspects to note: 

side A of this album starts in fade in, certainly after the performance has already begun, while side B ends with a fade out while the group seems to be able to continue endlessly, this makes me think (like Luca wrote) that perhaps it is not a complete tape, but the unrepeatable magic fully justifies its publication with the rare quote from Abelard & Heloise to seal the set: a surprise too good to be true."

Recording: ️ ️ ️ [5/5]
Vinyl dynamics: ️ [3/5]
Performance: ️ ️ [5/5]
Magic: ️ ️[5/5]

 
no©2025LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

August 12, 2024

A good review on the Third Ear Band record released by M.I.G. Music.

 

 

A very good review about the record is on the  Web at the link https://rythmes-croises.org/third-ear-band-back-to-1970/                                                                    

Rythmes Croises is a French webzine devoted to alternative and avant-garde music,  often interested to the Third Ear Band.

no©2024 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

June 26, 2024

A CD edition of Essen Festival is scheduled for the Autumn.

Bernd Ramien, A&R catalog and marketing manager of M.I.G. Music, wrote me that a CD edition of the live gig at Essen Festival is planned for the Autumn. In fact, this limited vinyl edition was thought for the TEB collectors and vinyl lovers.

Updates on the M.I.G. Music web site at  http://www.mig-music.de/en/ or https://www.facebook.com/migmusic.de/

no©2024 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

May 13, 2024

M.I.G. Music scheduled the TEB live album at Essen Festival for 31 May 2024.

The announced LP/CD TEB  live recording of Essen Festival (1970), titled "Druid One", will pubblish by M.I.G. on May 31th, 2024. 

The news is on line now at M.I.G. web site at http://www.mig-music.de/en/mig-music/


no©2024 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

April 03, 2024

The wonderful 1970 Third Ear Band live concert soon out for M.I.G. Music - an update.

The fantastic unreleased 40 minutes live gig played by the Third Ear Band at the Essen festival in June 1970 will be released soon by M.I.G. Music in two different formats: a vinyl record limited edition and a CD standard edition (with a booklet edited by me including a short story of the event).

The album is engineered by  Manfred-Joachim Kaiser and mastered by Johannes Scheibenreif. The cover is a wonderful colorful drawing by Anna Vavatsis and based on this frame taken from a short video of the gig:


These are other frames taken from that great live event:


For further infos and updates go to the M.I.G. web site at http://www.mig-music.de/en/mig-music/

 no©2024 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

February 10, 2024

A 1970 Third Ear Band's unrealised live recording found in Germany!

Dear TEB aficionados, lovers of fine antiques, 

I was contacted a few days ago by Made In Germany (M.I.G. Music), a German label specializing in reissues and discoveries of 60s and 70s albums and recordings (http://www.mig-music.de/en/), to collaborate in the production of an extraordinary new live album by the Third Ear Band!

As announced months ago (read HERE), this is a recording of the performance that the band (in the quartet line-up: Sweeney, Minns, Smith and Coff) played on April 24, 1970 at the Essen festival, recorded and broadcasted by German radio. I am working  to analyze the seven tracks, partly taken from "Alchemy", partly from the upcoming "Elements" album, with some brilliant surprises.

An extraordinary new chapter in the band's history is therefore expected in the coming months. I am sure that it will amaze and captivate you as in the past. 

Keep in touch!

no©2024 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)