Showing posts with label Bob Wallis. Show all posts
Showing posts with label Bob Wallis. Show all posts

November 09, 2024

Dave Tomlin, a giant of British counterculture.


From the video interview "Radical Elders" (2019).

Multi-instrumentalist, lyricist, writer and poet, David John Tomlin (1934-2024) was a seminal figure of the British underground. A founder of Giant Sun Trolley with Glen Sweeney in 1967, a collaborator with the Third Ear Band on “Alchemy” (1969), he was a cultural and political agitator since the second half of the 1960s, after a militancy in trad jazz from the late 1950s with Bob Wallis' band. From 1976 to 1991 he directed a commune experience in the occupied Cambodian Embassy in London, rejuvenating the countercultural model of the legendary London Free University of the 60s (from where Syd Barrett's Pink Floyd, for example, became known). 

Dave Tomlin (right) with Joe Gannon (left) announcing the Notting Hill Carnival, 1966.

From the early 1990s he began a prolific writing activity, mainly in the online pages of the reborn International Times (read here), publishing several books of an autobiographical nature (e.g., on his experiences in India or chronicling his years at the occupied embassy), poetic, non-fiction with strong political and social characterization (such as the essay "Power Lines").

He acquainted me with the dramatic story of Mike Taylor, helping me with research (with his brother Tony) and the writing of his biography, with suggestions and revision of the text. In 2020 he collaborated on the book I wrote about Glen and the Third Ear Band by sending his memories and giving me this unpublished poem of his from 1967, I decided to use as the epigraph of the book:

"The Giant Sun Trolley is coming

League transversing it globally encircuits

Beneath the eversun  

Where lances of pain

Become rays of warmth

Emanating mindwards and on

Till, reaching the epiphany

Of space and time 

Flash in ozonic  splendour

For Cosmic Man."

A true giant of the British counterculture and underground. Intelligent, sharp, witty, always on the right side of those who claim, especially today, the right to a better world.

From the video interview "Radical Elders" (2019).
 

Since very little can be found about him on the internet, I repost here, updated, Dave's bibliography and discography already posted on this archive, willing to supplement or modify it if suggestions are received from you readers.

 

DISCOGRAPHY

. Mike Taylor Quartet – “Pendulum” (LP - Columbia SX6042, UK 1965) Recorded at Lansdowne Studios, London, October 1965. Dave plays soprano saxophone. A 2007 CD reissue by Sunbeam Records also exist, but now very rare.

. Third Ear Band – “Alchemy” (LP/CD – Harvest Records, UK 1969) Recorded at EMI Studios in 1969. Dave plays violin in one track composed by him, “Lark Rise”.

. Hazchem - "Strange Attractor" (CD – Worldwide Records SPM-WWR-CD-0011 7703, 1990) Dave plays violin, keyboards and bass on three tracks, co-composing six tracks of the album and all the lyrics.

. High Tide – “Ancient Gates” (CD - World Wide Records SPM-WWR-CD-0007, Germany 1990) Dave plays violin and keyboard on all the six album tracks.

. Hazchem – “Star Map Excursion” (CD - World Wide Records, Germany 1991) Dave composed two tracks for the album.

. Third Ear Band – “The Magus” (CD – Angel Air Records SJPCD173, UK 2004) Recorded in 1972. Dave plays bass guitar. He writes also the liner notes. A limited edition of 500 copies of 180 gr. vinyl was published in 2019 by Tiger Bay.

 . The Bob Wallis & His New Storyville Jazzmen - (CD – GHB BCD-262, 2006) Dave plays clarinet on three tracks recorded in London, 1959.

 . The Bob Wallis & His New Storyville Jazzmen - "Vintage" (CD – Lake Records LACD280, 2010) Dave plays clarinet on some tracks recorded in London, in the Fifties.

 . Various Artists – “Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz 1960-1975” (CD – Reel Recordings RR026, UK 2012) Dave plays tenor saxophone on one track, “Phrygie”, recorded at Herne Bay Jazz Club in 1961 by the Mike Taylor Quintet.

. Mike Taylor Quartet – “Mandala” (CD/LP – Jazz in Britan, UK 2021) Limited to 500 copies worldwide. Recorded live by Jon Hiseman on 8th January 1965 at the Studio Club, Westcliff-On-Sea, Southend (UK). Dave plays soprano saxophone.

. Mike Taylor Quartet – “Preparation” (CD/LP – Sunbeam Records, UK 2021) Recorded at 19 The Common, Ealing (Mike Taylor’s home) in September 1965. Dave plays soprano saxophone.

 

BIBLIOGRAPHY

"Tales from the Embassy" vol. 1 (Iconoclast Press, London 2002)

"Bluebirds" (Iconoclast Press, London 2004)

"Howling at the Moon" (Iconoclast Press, London 2004)

"India Song" (Iconoclast Press, London 2005)

"Tales from the Embassy" vol. 2 (Iconoclast Press, London 2006)

"The Collected Mister" (Iconoclast Press, London 2006)

"Into the Holy Land" (Iconoclast Press, London 2007) with Tony Jackson

"Tales from the Embassy" vol. 3 (Iconoclast Press, London 2008)

"A Hole in the Wind" (Iconoclast Press, London 2008)

"Harry Fainlight. From the notebooks. Posthumous pieces" (Iconoclast Press, London 2008) 

"Harry Fainlight. Fragments of a lost voice" (Iconoclast Press, London 2008) 

"Power Lines" (Iconoclast Press, UK 2012)

Dave in 1967.

no©2024 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

June 21, 2012

"I've left my heart in"... New Orleans. The dawn of Dave Tomlin.


At the beginning of his career, just some years before to form the Giant Sun Trolley and meet Glen Sweeney, Dave Tomlin worked as a session man playing the clarinet for some jazz bands.

Bob Wallis
One of them was leaded by trumpeter Bob Wallis (1934-1991), "a feisty British jazzman who had a handful of chart successes in the early 1960s, during the “trad” boom that directly preceded the coming of the Beatles and all the other Merseyside groups that decimated the number of UK jazz bands at that time".



"Wallis was a trumpeter with real drive and energy - one of his heroes was Henry Red Allen - as well as being full of life, remarkable for someone who suffered from ill health for most of his years. He played with his own band for much of that time, the Storyville Jazzmen, though earlier and later in his career he played with other bands as well.
Wallis was born in Bridlington, East Riding of Yorkshire, in 1934, where his father eventually became harbour master. At an early age he joined the local Salvation Army Band with his local friend, Keith Avison, who was to play trombone with Wallis for a number of years. By the age of 20 he had discovered the world of jazz and set up his own band in Bridlington which also played in nearby Hull.

"He went to Denmark for a short spell and made his first couple of records there - as vocalist with the “Washboard Beaters”. The skiffle craze was rampant at the time and the Wallis singing style was some of the most idiosyncratic ever heard. Once you grew used to the gravelly-voiced style, however, it became clear that the singing was essentially melodious and that Wallis could certainly carry a tune.

"Back in the UK, he went to London and played for a short time with Ken Colyer's Omega Brass as well as joining Acker Bilk. These bands were recording mainly for the specialist 77 Records label. Ultimately he joined up with Hugh Rainey's All Stars (Ginger Baker was their drummer at the time) and shortly afterwards the band changed its name to The Storyville Jazzmen, fronted by Wallis. In 1959 the band recorded an LP for Top Rank, “Everybody Loves Saturday Night” which entered the top ten album charts. A single followed and then the band moved to the more jazz-oriented Pye label where they made three albums and a number of singles which also had modest chart success.

" (...) When the trad boom ended in 1963, Wallis and the band, who had been TV regulars as well as having a long summer season at the London Palladium, effectively broke up. Wallis played with one or two other bands before moving to the Continent where he spent most of his remaining years, still blowing up a storm with reconstituted versions of the Storyville Jazzmen. Occasionally these bands included former colleagues, such as Keith Avison and Pete Gresham. Drummer Alan Poston was still playing with the band when it made its final recordings in the mid eighties. Clarinettist Forrie Cairns was also with the band for much of this time.

"Ultimately Bob settled in Zurich with a residency at the Casa Bar, where he finally found his spiritual home, much appreciated by residents and visitors alike. He continued to make records for European labels such as Storyville, WAM and Pebe, but the chart appearances were long gone. Nevertheless the band remained true to the Wallis ideals, with a driving style that owed much to his energy and fine sense of humour. Phil Kent, who was the bass-player with Bobs band during their residency in Zurich, is one of the few remaining members of the Storyville Jazzmen. He is still playing bass, and lives in Lydeard St Lawrence, near Taunton, Somerset.

"When it became clear in 1990 that his ill health was not going to improve, he returned to England with his wife, Joyce, where he died in hospital in 1991. His long battle with illness was over but his records attest to the fact that Wallis was one of the great British jazzmen of his time. His son, Jay, carries on the family tradition of playing trumpet" ("All about jazz" Web site, http://www.allaboutjazz.com/php/musician.php?id=11743).

The CD cover where the tracks are taken.
From one of the rare Bob Wallis' sessions survived, here we have three tracks recorded in London on May 20th and June 1st, 1959 with Dave Tomlin on clarinet, Avo Avison (trombone), Pete Gresham (piano), Hugh Rainey (banjo), Brian 'Drag' Kirby, Kenny Buckner (drums) and Bob Wallis on trumpet.
Funny to know that Dave had forgotten these jolly recordings and it's been a pleasure for him to listen to them...

Download the tracks at Rapidshare:
"Maryland, my Maryland" (4:35) 11.00MB
"Big House Blues" (5:46) 13.83MB
https://rapidshare.com/files/3978886154/Big_House_Blues.mp3 
"Savoy Blues" (5:09) 12.36MB
https://rapidshare.com/files/837947095/Savoy_Blues.mp3 

no©2012 Luca Ferrari (unless you intend to make a profit. In which case, ask first)