The Ferlaina Archive and the extraordinary discovery of unrealised TEB photos at Hyde Park! - part fourth.

This is the fourth and last part of the story... 

(first part here, second part here, part three here).

 

4.

What is exceptional is that photographer Pino Callá was in the fateful "right place" at the "right time"; he could not have been aware in those days of the historical importance that event would have in the youth counterculture of the time.

"Surely he was sent by some magazine to do a story. However he was very shrewd," Ferlaina says, "because first of all there are pictures of Mick Jagger in the trailer, so that means he followed it well. He was good because he photographed everything, he photographed the Rolling Stones from every angle, but he didn't limit himself to them, as anyone else would have done. He photographed everybody there, he documented everything. He did a 187-shot shoot."

Having become the rightful owner of these photos, Ferlaina has tried to enhance the heritage by promoting exhibitions and producing a self-published catalog of the Rolling's photos in Hyde Park, but his focus in recent times has turned to selling the archive.

"What I've managed to do," he admits, "is to make a point of attention that has been vented in a few markets ... that's enough for me, I don't want to be a gallerist or a photo agency. Mine is a work of a scholar, researcher, I don't want to organize and take care of logistics.... I would like to sell the whole archive or even a part of it (e.g., the Rolling Stones shots with the Led Zeppelin collection)... I am willing to consider any interest and offers. In the meantime, though, but I would like to make a photo book with these photos, perhaps in collaboration with Ghettoraga!?"

Glen Sweeney in the backstage.

For all fans of the Third Ear Band, however, Ferlaina has already planned an event for the next year: from January 20th to February 23th, 2023 , at the archive in Milan (via Muzio Scevola, 4), there will be a photo exhibition of all the band's shots (and the King Crimson's one) in Hyde Park!

To stay up-to-date on Archivio Ferlaina initiatives, this is the website address: http://www.archivioferraina.com/

Richard Coff and  girlfriend

Paul Minns, his wife Mary Haynes and son.

Paul Minns playing oboe on stage.

 no©2022 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)

The Ferlaina Archive and the extraordinary discovery of unrealised TEB photos at Hyde Park! - part three.

This is the third part of the story... 

(first part here, second part here).

 

3.

"So I engage in the sale of photographs, especially from the 1970s - things like Living Teathre... - and art books and catalogs. At home I have particular books, for example on Conceptual Art.... which I have 'fed' on over the years, but they didn't sell much, it was almost like an exchange of stickers between enthusiasts ... but the photos, those did sell well. I used to buy them on eBay, for example, for 50-60 euros and resell them for 100, you didn't have a huge margin but it worked..."

 

Ferlaina during the interview.

At some point Ferlaina had the intuition to broaden the commercial discourse to music, his great passion, and began to frequent antique markets as a buyer, finding very interesting material without worrying about copyrights and agencies. One day he happened to go there early in the morning, at five o'clock, and came across a stall with boxes...

"I asked the people selling them if they would give me first refusal to see them before the others.... 'How many are you selling them for,' I asked him? 'Five euros each, but if you get some I'll make even less. I selected an initial bundle and went home in seventh heaven. I saw that the name of an agency was printed behind the photos and, not knowing anything about it, I inquired, worried about the possible legal consequences (embezzlement...). I found out that the agency no longer existed--but who was the photographer? I would have liked to involve him in some initiative, like organizing an exhibition. At that time I had organized an exhibition at the Palazzo delle Esposizioni of Novegro (Milan), on "Photography and otherness", and I had become interested in the work of an Italian stage photographer, Franco Cattarinich, a great master of technique."

Ferlaina meets the photographer and discovers that the latter, having started his own agency in 1980, has a basement full of old photos purchased from other photographers that he never marketed. Ferlaina asks to see something and makes an offer, but hesitates. He insists, peeks through the envelopes at the words "Rolling Stones London," and decides to offer a cash sum. He ticks it off. It's the beginning of a long negotiation that will lead him to acquire as many as 21 boxes of photos and negatives totaling thousands of pieces (as of today still to be cataloged).

 

Ferlaina Archive in Milan.

As he began to delve into what he had purchased, he came across the nearly 150 shots of the Stones' Hyde Park concert. But who is the photographer? - I asked him. "On the photo envelopes was this name, Callá," he says. "I did some research and found out that he was the director of "Colpo Grosso" ["Big Shot", a trivial broadcast of the 1970s, ed.] and "Disco Ring" [a music broadcast of the same era, ed.] Pino Callà, a RAI director who has been living in New York for years. In the late 1960s he was a freelance in London. Now he lives in Milan." 

In fact a Callà's Wikipedia page does exist here as a Facebook's one here. 

 

(end of part three - to be continued)

A group of Hell's Angels.

 

 

 

 

The audience.

The Third Ear Band playing on stage.

Paul Minns with Paul Buckmaster on stage.

 no©2022 LucaChinoFerrari (unless you intend to make a profit. In which case, ask first)