Showing posts with label Thomas Zunk. Show all posts
Showing posts with label Thomas Zunk. Show all posts

November 25, 2017

Ghetto Raga's founder THOMAS ZUNK contacted Ghettoraga Archive... soon here a piece about his connections with the TEB's music...


As probably you readers remember, in 2013 I wrote a short piece here after having  discovered a German band called Ghetto Raga existed (https://ghettoraga.blogspot.it/2013/03/a-german-band-called-ghetto-raga.html ). Just few days ago, Ghetto Raga's founder Thomas Zunk contacted me just to thank for my attention...

"Hi Luca, 
thank you so much for your answer. I only came across your article a couple of months ago when I was googleing for "ghetto raga" to check what there is written about us in the net these days. 
I was delighted that you had taken notice of us. Just around that time in 2013 the last line-up of Ghetto Raga had disbanded! We were three then: me on hand drums and Theremin, Alex Ehlers on bass-guitar, oboe and english horn and Hoshiko Yamane on violin. Alex left town and Hoshiko then joined and is now famous with Tangerine Dream! 
Only since this summer 2017 I have gathered a new generation of musicians and I am very proud of the guys, they are outstanding soloists and improvisers. Note that the violinist, Lutz Wernicke, was also founding member of the very first line-up in 1997. Makes me very happy! The new Ghetto Raga will play its first concert in two weeks. We will do a tribute night in honour of Karlheinz Stockhausen to celebrate the 10th anniversary of his death. Dec 6. at Madstop84 in Berlin. 

                            Thomas with Ghetto Raga

Next spring I am organising three concerts for us in Berlin cinemas to play a new live soundtrack for Stanley Kubrick's amazing science-fiction film "2001: A Space Odyssey". A BIG thing. I did that with a different Ghetto Raga line-up (and also as a soloist) already in 2005! 
Luca, I alread started writing down the story of TEB and me, how I came to love them, why I called my band Ghetto Raga and how Glen Sweeney's hand drum playing opened my mind and influenced me. It'll take a few days, my friend, then I will send you the whole story! 
For now, maybe you like to check out my website: www.thomaszunk.wordpress.com It contains my whole work, everything I did before that, during it and after Ghetto Raga. There you will also find a button for the site of Ghetto Raga: www.ghettoraga.wordpress.com
A lot of material! 
You will find all infos from the past line-ups, photos and links to Soundcloud with numerous sites full of music of Ghetto Raga between 1993 (proto-GR) and 2013. The name Ghetto Raga first appears in 1997 and this means that I will celebrate 20 years of Ghetto Raga in December. I know you will like what you will see and hear! I will be back soon with my little story. Thank you!
Cheers from Berlin
herTZliche GRüße Thomas Zunk"

www.facebook.com/thomaszunk
 no©2017 Luca Chino Ferrari (unless you intend to make a profit. In which case, ask first)     

March 08, 2013

A German band called Ghetto Raga...


"The name is taken from the second track "Ghetto Raga" on the first 1969 album by british THIRD EAR BAND "Alchemy" and also is program: instruments usually played in classical music playing free improvisations fenced in by simple and monotonous hand drum rhythms - usually just one ongoing hypnotic rhythm per piece. Glen Sweeney, mastermind and drummer of TEB, later called their pieces "electric ragas"".

Thomas Zunk

Here's the description German musician & advantgarde composer Thomas Zunk uses to describe his music on his Soundcloud profile (https://soundcloud.com/ghetto-raga and https://soundcloud.com/ghetto-raga-2), a miner of experimental music with clear references to the Third Ear Band's poetics...
His Berlin based free improvising project called Ghetto Raga started in  1993 and through various different line-ups he recorded very interesting tracks with the intention of creating a synthesis between freely improvised music and the classical gamelan styles of Indonesia. Ghetto Raga's pieces sometimes evoke spherical, metallic landscapes; some others position hypnotically pulsating, monotone grooves under a virtuoso violin. 

As usual, listen to these tracks and make a your opinion about the real connections with Glen Sweeney/Paul Minns' music... 



no©2013 Luca Ferrari (unless you intend to make a profit. In which case, ask first)